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X-WR-CALDESC:Events for Historic Hudson River Towns
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DTSTART;TZID=America/New_York:20230306T090000
DTEND;TZID=America/New_York:20230306T200000
DTSTAMP:20260506T101821
CREATED:20230306T180438Z
LAST-MODIFIED:20230306T180439Z
UID:10005527-1678093200-1678132800@www.hudsonriver.com
SUMMARY:The Enchanted Garden: Colors in Motion - Sculptures by Dorothy Gillespie
DESCRIPTION:The Enchanted Garden: Colors in Motion\nSculptures by Dorothy M. Gillespie\nThe Catherine Konner Sculpture Park\nOct. 15\, 2021 – Oct. 2023\nFree to the Public\, Dawn to Dusk\nRoCA is proud to present the The Enchanted Garden: Colors in Motion exhibit as a part of a tribute to the 20th Century artist and feminist\, Dorothy Gillespie. The exhibit will open October 15th in The Catherine Konner Sculpture Park at RoCA.\nDorothy Gillespie’s joyful and brilliantly colored starbursts glimmer hanging from the trees as well as lining the pathway. The pieces create an enchanted garden of colors in motion. Though stationary they seem to possess a kinetic quality. Two larger pieces can be seen at the entry to RoCA. The exhibit was partially installed this summer and will be completed for exhibit October 15th. The exhibit will remain on display through October 2023.\nGillespie (1920-2012) was born in Roanoke\, VA and lived in Nyack during the later years of her life. She pioneered joyful\, new directions of metal sculpture and is best known for large-scale\, colorfully painted arrangements of cut aluminum strips curling\, radiating\, or undulating in giant arrangements of ribbons\, enchanted towers\, or bursting fireworks. She was well known as a painter\, sculptor and installation artist whose work incorporated many significant 20th-century trends in art.\nDuring Dorothy Gillespie’s youth … “girls did not attend art school\, at least not ‘nice’ girls\,” said Gillespie in 2010. Nevertheless\, she was determined to be an artist and attended the Maryland Institute College in Baltimore. She was more fortunate than women sculptors in the 19th Century who were mostly hired as studio assistants by established male sculptors with few exhibitions. Harriet Hosmer\, Emma Stebbins\, Edmonia Lewis\, Frances Grimes and Helen Mears were some of the few who made names in the arts as women during that time. They did not pursue monumental work as frequently as men did and mostly produced works in bronze and consistent middle-class demand for small-scale sculpture to decorate the home and garden. Today many more women are now entering traditional male dominated sculpture roles in metal\, wood and stone\, thanks to the pioneering activism of women like Dorothy Gillespie in the 20th century.\nAn influential force in the women’s movement\, Gillespie encouraged more women’s art in museums and art in public spaces. In 1970\, Gillespie joined Women in the Arts and created picket signs protesting at the Whitney Museum demanding that the curators choose more women artists for their “Annual exhibition. The demonstration worked\, and more women artists were chosen for the show. Although the increase was very slow\, over time it increased from 8 percent to 40 percent. Gillespie was the Founder of the Women Artists Historical Archives of the Women’s Interart Center in NY\, NY\, filming and taping interviews of some of the most important women artists of the 20th century as well as presenting her own radio show. Gillespie along with Joyce Weinstein founded a group called the NY Professional Women Artists. The 14 members lectures at Universities and wrote articles to encourage other women artists.\nGillespie also coordinated a course to educate and enlighten women in the visual arts\, after being invited to teach at The New School in NYC. The intent was to prepare women for a new\, more aggressive role to function in the art world. Due to her already busy schedule\, she asked artist Alice Barber to share the task of revealing to the young students the ‘system’ that drove the NY art world and how to succeed. In 1974 she organized an innovative outdoor exhibition\, Walk Through Art\, mounted in Central Park\, Battery Park\, and Rockefeller Center\, then travelling to fifty colleges\, universities and street fairs. Compelled to involve viewers in her work\, she created large 7 ft high triangles of art for people to walk through the sculptures. Gillespie has held positions of designing programs as a Professor of Art\, being a Board of Trustees for more than one college or art center\, as a visiting artist in residency and as the Chairperson of the Fine Arts Committee for the International Women’s Art Festival.\nDorothy Gillespie’s career spanned seven decades\, always at the forefront of the American Art movement. She studied at the Maryland Institute College in Baltimore before moving to New York City\, where she studied at the Art Students League. Her works grace many institutions\, museums\, colleges\, universities and public spaces\, including the permanent collection of the Solomon R. Guggenheim Museum and the United States Mission to the United Nations. She was one of the first artists to offer her art to the world through displays in the lobbies of public institutions and governmental centers such as the Mayo Clinic\, Epcot Center\, Warren Wilson College\, Fort Lauderdale Airport-Delta Terminal\, Fort Lauderdale Museum of Art\, the Miami Public Library\, United States Mission to the United Nations\, and the Court House Square – Roanoke\, VA and Universities across the country.\nAmong her many honors\, Gillespie received the Alice Baber Art Fund\, Inc. Grant Award: a Doctor of Pedagogy from Niagara University in Niagara Falls\, A Doctor of Fine Arts (Honoris Causa) from Caldwell College in Caldwell\, NY\, an Allied Professions Award from the Virginia Society\, the American Institute of Architects in Richmond\, VA.\, the Distinguished Alumni Award from Maryland Institute College of Art in Baltimore\, the Outstanding Services Award from University of Arkansas at Little Rock\, and the Lifetime Achievement Award from the Women’s Caucus for Art\, and the Gala 8 “Distinguished Woman” Award at Birmingham Southern College.\nThe Catherine Konner Sculpture Park is open from dawn to dusk\, free to the public. Brochures can be picked up at the registration desk. For more information visit: www.rocklandartcenter.org or call 845-358-0877.\nThis exhibition was made possible thanks to the generous support of The Dorothy M. Gillespie Foundation and Gary Israel.\nRoCA’s programs are made possible\, in part\, with funds from the New York State Council on the Arts\, with the support of Governor Andrew Cuomo and the New York State Legislature. Funding is also made possible by the County of Rockland.\nRoCA gratefully acknowledges support for its programs from The Richard Pousette-Dart Foundation\, M&T Bank\, The M&T Charitable Foundation\, The Dorothy Gillespie Foundation\, Peter & Rebecca Lang\, Kantrowitz\, Goldhamer & Graifman P.C.\, Luxury Kitchen and Bath\, Golden Artist Colors\, Inc.\, QuietEvents\, the Estate of Joan Konner\, Lighting Services Inc.\, Sarah and Stephen Thomas\, the Mark and Jessie Milano Foundation\, Zaklin Family Charitable Fund\, The County of Rockland\, Simona and Jerome Chazen\, Art Services Group\, RoCA members\, donors and business members.
URL:https://www.hudsonriver.com/hhrt/event/the-enchanted-garden-colors-in-motion-sculptures-by-dorothy-gillespie-132/
LOCATION:Rockland Center for the Arts\,27 South Greenbush Road\, West Nyack\, NY 10994\, USA
CATEGORIES:Art,Outdoors
ATTACH;FMTTYPE=image/jpeg:https://www.hudsonriver.com/hhrt/wp-content/uploads/2022/10/dorothy-gillespie-roca-2021-4QEgWF.tmp_.jpg
ORGANIZER;CN="Rockland Center for the Arts":MAILTO:info@rocklandartcenter.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230307T090000
DTEND;TZID=America/New_York:20230307T200000
DTSTAMP:20260506T101821
CREATED:20230307T180650Z
LAST-MODIFIED:20230307T180651Z
UID:10005529-1678179600-1678219200@www.hudsonriver.com
SUMMARY:The Enchanted Garden: Colors in Motion - Sculptures by Dorothy Gillespie
DESCRIPTION:The Enchanted Garden: Colors in Motion\nSculptures by Dorothy M. Gillespie\nThe Catherine Konner Sculpture Park\nOct. 15\, 2021 – Oct. 2023\nFree to the Public\, Dawn to Dusk\nRoCA is proud to present the The Enchanted Garden: Colors in Motion exhibit as a part of a tribute to the 20th Century artist and feminist\, Dorothy Gillespie. The exhibit will open October 15th in The Catherine Konner Sculpture Park at RoCA.\nDorothy Gillespie’s joyful and brilliantly colored starbursts glimmer hanging from the trees as well as lining the pathway. The pieces create an enchanted garden of colors in motion. Though stationary they seem to possess a kinetic quality. Two larger pieces can be seen at the entry to RoCA. The exhibit was partially installed this summer and will be completed for exhibit October 15th. The exhibit will remain on display through October 2023.\nGillespie (1920-2012) was born in Roanoke\, VA and lived in Nyack during the later years of her life. She pioneered joyful\, new directions of metal sculpture and is best known for large-scale\, colorfully painted arrangements of cut aluminum strips curling\, radiating\, or undulating in giant arrangements of ribbons\, enchanted towers\, or bursting fireworks. She was well known as a painter\, sculptor and installation artist whose work incorporated many significant 20th-century trends in art.\nDuring Dorothy Gillespie’s youth … “girls did not attend art school\, at least not ‘nice’ girls\,” said Gillespie in 2010. Nevertheless\, she was determined to be an artist and attended the Maryland Institute College in Baltimore. She was more fortunate than women sculptors in the 19th Century who were mostly hired as studio assistants by established male sculptors with few exhibitions. Harriet Hosmer\, Emma Stebbins\, Edmonia Lewis\, Frances Grimes and Helen Mears were some of the few who made names in the arts as women during that time. They did not pursue monumental work as frequently as men did and mostly produced works in bronze and consistent middle-class demand for small-scale sculpture to decorate the home and garden. Today many more women are now entering traditional male dominated sculpture roles in metal\, wood and stone\, thanks to the pioneering activism of women like Dorothy Gillespie in the 20th century.\nAn influential force in the women’s movement\, Gillespie encouraged more women’s art in museums and art in public spaces. In 1970\, Gillespie joined Women in the Arts and created picket signs protesting at the Whitney Museum demanding that the curators choose more women artists for their “Annual exhibition. The demonstration worked\, and more women artists were chosen for the show. Although the increase was very slow\, over time it increased from 8 percent to 40 percent. Gillespie was the Founder of the Women Artists Historical Archives of the Women’s Interart Center in NY\, NY\, filming and taping interviews of some of the most important women artists of the 20th century as well as presenting her own radio show. Gillespie along with Joyce Weinstein founded a group called the NY Professional Women Artists. The 14 members lectures at Universities and wrote articles to encourage other women artists.\nGillespie also coordinated a course to educate and enlighten women in the visual arts\, after being invited to teach at The New School in NYC. The intent was to prepare women for a new\, more aggressive role to function in the art world. Due to her already busy schedule\, she asked artist Alice Barber to share the task of revealing to the young students the ‘system’ that drove the NY art world and how to succeed. In 1974 she organized an innovative outdoor exhibition\, Walk Through Art\, mounted in Central Park\, Battery Park\, and Rockefeller Center\, then travelling to fifty colleges\, universities and street fairs. Compelled to involve viewers in her work\, she created large 7 ft high triangles of art for people to walk through the sculptures. Gillespie has held positions of designing programs as a Professor of Art\, being a Board of Trustees for more than one college or art center\, as a visiting artist in residency and as the Chairperson of the Fine Arts Committee for the International Women’s Art Festival.\nDorothy Gillespie’s career spanned seven decades\, always at the forefront of the American Art movement. She studied at the Maryland Institute College in Baltimore before moving to New York City\, where she studied at the Art Students League. Her works grace many institutions\, museums\, colleges\, universities and public spaces\, including the permanent collection of the Solomon R. Guggenheim Museum and the United States Mission to the United Nations. She was one of the first artists to offer her art to the world through displays in the lobbies of public institutions and governmental centers such as the Mayo Clinic\, Epcot Center\, Warren Wilson College\, Fort Lauderdale Airport-Delta Terminal\, Fort Lauderdale Museum of Art\, the Miami Public Library\, United States Mission to the United Nations\, and the Court House Square – Roanoke\, VA and Universities across the country.\nAmong her many honors\, Gillespie received the Alice Baber Art Fund\, Inc. Grant Award: a Doctor of Pedagogy from Niagara University in Niagara Falls\, A Doctor of Fine Arts (Honoris Causa) from Caldwell College in Caldwell\, NY\, an Allied Professions Award from the Virginia Society\, the American Institute of Architects in Richmond\, VA.\, the Distinguished Alumni Award from Maryland Institute College of Art in Baltimore\, the Outstanding Services Award from University of Arkansas at Little Rock\, and the Lifetime Achievement Award from the Women’s Caucus for Art\, and the Gala 8 “Distinguished Woman” Award at Birmingham Southern College.\nThe Catherine Konner Sculpture Park is open from dawn to dusk\, free to the public. Brochures can be picked up at the registration desk. For more information visit: www.rocklandartcenter.org or call 845-358-0877.\nThis exhibition was made possible thanks to the generous support of The Dorothy M. Gillespie Foundation and Gary Israel.\nRoCA’s programs are made possible\, in part\, with funds from the New York State Council on the Arts\, with the support of Governor Andrew Cuomo and the New York State Legislature. Funding is also made possible by the County of Rockland.\nRoCA gratefully acknowledges support for its programs from The Richard Pousette-Dart Foundation\, M&T Bank\, The M&T Charitable Foundation\, The Dorothy Gillespie Foundation\, Peter & Rebecca Lang\, Kantrowitz\, Goldhamer & Graifman P.C.\, Luxury Kitchen and Bath\, Golden Artist Colors\, Inc.\, QuietEvents\, the Estate of Joan Konner\, Lighting Services Inc.\, Sarah and Stephen Thomas\, the Mark and Jessie Milano Foundation\, Zaklin Family Charitable Fund\, The County of Rockland\, Simona and Jerome Chazen\, Art Services Group\, RoCA members\, donors and business members.
URL:https://www.hudsonriver.com/hhrt/event/the-enchanted-garden-colors-in-motion-sculptures-by-dorothy-gillespie-133/
LOCATION:Rockland Center for the Arts\,27 South Greenbush Road\, West Nyack\, NY 10994\, USA
CATEGORIES:Art,Outdoors
ATTACH;FMTTYPE=image/jpeg:https://www.hudsonriver.com/hhrt/wp-content/uploads/2022/10/dorothy-gillespie-roca-2021-4QEgWF.tmp_.jpg
ORGANIZER;CN="Rockland Center for the Arts":MAILTO:info@rocklandartcenter.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230307T100000
DTEND;TZID=America/New_York:20230307T110000
DTSTAMP:20260506T101821
CREATED:20230103T145812Z
LAST-MODIFIED:20230103T145812Z
UID:10004893-1678183200-1678186800@www.hudsonriver.com
SUMMARY:Post-Impressionism In Its Own Right: Online Class
DESCRIPTION:Join Jill Kiefer\, Ph.D. as she leads her Online Course series for BAC entitled: “Post-Impressionism In Its Own Right” for 6 Tuesdays\, 02/21-03/28\, 2023 from 10 – 11 AM. \nDiscussions of Post-Impressionism are often limited to its relationship with Impressionism. But this diverse and distinctive movement stands very much on its own—having traveled quite different paths than those explored by the Impressionists. Indeed\, Post-Impressionism embraced the past\, the present\, and the future—and its influence remains a force today. \nIn this program\, we’ll focus on the key Post-Impressionists (Seurat\, Cézanne\, Van Gogh and Gauguin) to examine their unique achievements. Which ones most avidly pursued symbolic and subjective meanings in their art? How and why did structure\, optics and order become the obsession of others? In what ways did their combined efforts and aesthetic visions define what would become the modern idiom? Join us as we seek the answers to these questions\, and identify how Post-Impressionism fits into the broad tapestry that is art history.
URL:https://www.hudsonriver.com/hhrt/event/post-impressionism-in-its-own-right-online-class/2023-03-07/
LOCATION:Bethany Arts Community\, 40 Somerstown Rd\, Ossining\, NY\, 10562\, United States
CATEGORIES:Art,Educational,History,Visual Arts,Visual-Art,Workshop
ATTACH;FMTTYPE=image/jpeg:https://www.hudsonriver.com/hhrt/wp-content/uploads/2023/01/1-Seurat.jpg
ORGANIZER;CN="Bethany Arts Community":MAILTO:julias@bethanyarts.org
GEO:41.1725708;-73.8304194
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bethany Arts Community 40 Somerstown Rd Ossining NY 10562 United States;X-APPLE-RADIUS=500;X-TITLE=40 Somerstown Rd:geo:-73.8304194,41.1725708
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230307T140000
DTEND;TZID=America/New_York:20230307T153000
DTSTAMP:20260506T101821
CREATED:20230219T174855Z
LAST-MODIFIED:20230307T180651Z
UID:10005405-1678197600-1678203000@www.hudsonriver.com
SUMMARY:Hudson Valley Art and Thomas Cole (Part 2)
DESCRIPTION:Thomas Cole and The Voyage of Life\nIn this session\, we take a close look at four paintings and turn our gaze\ninward. Becoming a wise elder involves looking through our life\nexperiences\, reflecting on lessons learned\, and applying those as we move\nforward. Thomas Cole\, a 19th-century American artist who inspired the\nHudson River School of landscape art\, brought these reflections to the\ncanvas\, with his four-painting series The Voyage of Life.\nNow\, you have the opportunity to examine your own voyage of life in this\nguided personal development session with art historian Rena Tobey. Bring a\njournal or some paper and something to write with; be prepared for some\nquiet reflection. In this 60-minute session\, you will be thinking about\nyour own life using the framework of Cole’s four paintings. We will build\non the introduction to the artist in part 1 with focus on the specific\nsymbols and meaning embedded in each painting–all to deepen your own\nthinking.\nStarting with part 1 will provide more context for your personal work\, and\npart 2 can also stand alone. Either way\, come learn about Cole’s painted\narc of lived experience\, and use his model to consider your own journey on\nthe river of life.\nRegister for Part 1 of this 2-part series.
URL:https://www.hudsonriver.com/hhrt/event/hudson-valley-art-and-thomas-cole-part-2/
LOCATION:Haverstraw King’s Daughters Public Library\,10 West Ramapo Road\, Garnerville\, NY\, USA
CATEGORIES:Free-Admission,Virtual
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230307T140000
DTEND;TZID=America/New_York:20230307T153000
DTSTAMP:20260506T101821
CREATED:20230218T174856Z
LAST-MODIFIED:20230307T180651Z
UID:10005401-1678197600-1678203000@www.hudsonriver.com
SUMMARY:Hudson Valley Art and Thomas Cole (Part 1)
DESCRIPTION:Part 1 – Thomas Cole and the Hudson River School\nLike any good hike or visit to a favorite park\, landscape paintings open up\nthe vast world of nature. But more than a pretty picture\, Thomas Cole’s\npaintings are coded with a plea for preserving wilderness while growing a\ncountry that coexists in harmony with the land. Influential today as well\nas 200 years ago\, this 19th-century American painter became our first\nconservationist. He also recognized how important the vast expanses of land\nwere for shaping American identity. His followers\, forming the Hudson River\nSchool of landscape art\, built on Cole’s legacy and used their works for\npolitical persuasion. In this interactive talk\, we’ll dig beyond the\nsurface and take a slow look at paintings that tell complex\, often coded\nstories of national as well as personal choice. You will leave refreshed\,\nwith renewed vigor for our natural world and all its meaning.\nRena’s greatest passion is making art accessible\, invigorating\, insightful\,\nand fun. She has taught art history at NYU’s School for Professional\nStudies and Southern Connecticut State University. Rena provides talks for\nNew York Adventure Club and New York Public Library\, as well as many\ncommunity organizations. She conducts lively\, interactive tours of museum\ncollections\, now via Zoom. Just for fun\, she has created Artventures!®\nGame–a cheeky party game on the adventures of art and art history.
URL:https://www.hudsonriver.com/hhrt/event/hudson-valley-art-and-thomas-cole-part-1/
LOCATION:Haverstraw King’s Daughters Public Library\,10 West Ramapo Road\, Garnerville\, NY\, USA
CATEGORIES:Free-Admission,Virtual
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230308T080000
DTEND;TZID=America/New_York:20230308T170000
DTSTAMP:20260506T101821
CREATED:20230308T180844Z
LAST-MODIFIED:20230308T180845Z
UID:10005533-1678262400-1678294800@www.hudsonriver.com
SUMMARY:Bubblemania featuring Casey Carle
DESCRIPTION:Sunday\, April 2nd at 2:00pm EST\nTheater at Old Nyack High School\n131 North Midland Avenue\, Nyack\, NY\nTickets: Child $12 / Adult $20 / Family Four Pack $50\nBubbles! Big Bubbles! Thousands of Bubbles! An extremely unique program fusing high-energy entertainment\, highly crafted showmanship and artistic achievement. Casey’s show is loaded with in-the-moment improvisation\, quick wit\, big band swing music\, a bit of audience participation and the untamed\, often unbelievable qualities of spherical liquids. Part Science\, All Fun! The show includes fog-filled bubble art forms and jazz inspired\, choreographed routines to eventually “trapping” people inside bubbles!
URL:https://www.hudsonriver.com/hhrt/event/bubblemania-featuring-casey-carle/
LOCATION:Rittenhausen Theater at BOCES 131 North Midland Avenue Nyack\, NY
CATEGORIES:Children,enjoy-nyack,Seasonal,Spring Fling,Theater,Visual-Art
ATTACH;FMTTYPE=image/jpeg:https://www.hudsonriver.com/hhrt/wp-content/uploads/2023/03/Casey-Carle-main-scaled-YkH755.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230308T090000
DTEND;TZID=America/New_York:20230308T200000
DTSTAMP:20260506T101821
CREATED:20230308T180844Z
LAST-MODIFIED:20230308T180845Z
UID:10005532-1678266000-1678305600@www.hudsonriver.com
SUMMARY:The Enchanted Garden: Colors in Motion - Sculptures by Dorothy Gillespie
DESCRIPTION:The Enchanted Garden: Colors in Motion\nSculptures by Dorothy M. Gillespie\nThe Catherine Konner Sculpture Park\nOct. 15\, 2021 – Oct. 2023\nFree to the Public\, Dawn to Dusk\nRoCA is proud to present the The Enchanted Garden: Colors in Motion exhibit as a part of a tribute to the 20th Century artist and feminist\, Dorothy Gillespie. The exhibit will open October 15th in The Catherine Konner Sculpture Park at RoCA.\nDorothy Gillespie’s joyful and brilliantly colored starbursts glimmer hanging from the trees as well as lining the pathway. The pieces create an enchanted garden of colors in motion. Though stationary they seem to possess a kinetic quality. Two larger pieces can be seen at the entry to RoCA. The exhibit was partially installed this summer and will be completed for exhibit October 15th. The exhibit will remain on display through October 2023.\nGillespie (1920-2012) was born in Roanoke\, VA and lived in Nyack during the later years of her life. She pioneered joyful\, new directions of metal sculpture and is best known for large-scale\, colorfully painted arrangements of cut aluminum strips curling\, radiating\, or undulating in giant arrangements of ribbons\, enchanted towers\, or bursting fireworks. She was well known as a painter\, sculptor and installation artist whose work incorporated many significant 20th-century trends in art.\nDuring Dorothy Gillespie’s youth … “girls did not attend art school\, at least not ‘nice’ girls\,” said Gillespie in 2010. Nevertheless\, she was determined to be an artist and attended the Maryland Institute College in Baltimore. She was more fortunate than women sculptors in the 19th Century who were mostly hired as studio assistants by established male sculptors with few exhibitions. Harriet Hosmer\, Emma Stebbins\, Edmonia Lewis\, Frances Grimes and Helen Mears were some of the few who made names in the arts as women during that time. They did not pursue monumental work as frequently as men did and mostly produced works in bronze and consistent middle-class demand for small-scale sculpture to decorate the home and garden. Today many more women are now entering traditional male dominated sculpture roles in metal\, wood and stone\, thanks to the pioneering activism of women like Dorothy Gillespie in the 20th century.\nAn influential force in the women’s movement\, Gillespie encouraged more women’s art in museums and art in public spaces. In 1970\, Gillespie joined Women in the Arts and created picket signs protesting at the Whitney Museum demanding that the curators choose more women artists for their “Annual exhibition. The demonstration worked\, and more women artists were chosen for the show. Although the increase was very slow\, over time it increased from 8 percent to 40 percent. Gillespie was the Founder of the Women Artists Historical Archives of the Women’s Interart Center in NY\, NY\, filming and taping interviews of some of the most important women artists of the 20th century as well as presenting her own radio show. Gillespie along with Joyce Weinstein founded a group called the NY Professional Women Artists. The 14 members lectures at Universities and wrote articles to encourage other women artists.\nGillespie also coordinated a course to educate and enlighten women in the visual arts\, after being invited to teach at The New School in NYC. The intent was to prepare women for a new\, more aggressive role to function in the art world. Due to her already busy schedule\, she asked artist Alice Barber to share the task of revealing to the young students the ‘system’ that drove the NY art world and how to succeed. In 1974 she organized an innovative outdoor exhibition\, Walk Through Art\, mounted in Central Park\, Battery Park\, and Rockefeller Center\, then travelling to fifty colleges\, universities and street fairs. Compelled to involve viewers in her work\, she created large 7 ft high triangles of art for people to walk through the sculptures. Gillespie has held positions of designing programs as a Professor of Art\, being a Board of Trustees for more than one college or art center\, as a visiting artist in residency and as the Chairperson of the Fine Arts Committee for the International Women’s Art Festival.\nDorothy Gillespie’s career spanned seven decades\, always at the forefront of the American Art movement. She studied at the Maryland Institute College in Baltimore before moving to New York City\, where she studied at the Art Students League. Her works grace many institutions\, museums\, colleges\, universities and public spaces\, including the permanent collection of the Solomon R. Guggenheim Museum and the United States Mission to the United Nations. She was one of the first artists to offer her art to the world through displays in the lobbies of public institutions and governmental centers such as the Mayo Clinic\, Epcot Center\, Warren Wilson College\, Fort Lauderdale Airport-Delta Terminal\, Fort Lauderdale Museum of Art\, the Miami Public Library\, United States Mission to the United Nations\, and the Court House Square – Roanoke\, VA and Universities across the country.\nAmong her many honors\, Gillespie received the Alice Baber Art Fund\, Inc. Grant Award: a Doctor of Pedagogy from Niagara University in Niagara Falls\, A Doctor of Fine Arts (Honoris Causa) from Caldwell College in Caldwell\, NY\, an Allied Professions Award from the Virginia Society\, the American Institute of Architects in Richmond\, VA.\, the Distinguished Alumni Award from Maryland Institute College of Art in Baltimore\, the Outstanding Services Award from University of Arkansas at Little Rock\, and the Lifetime Achievement Award from the Women’s Caucus for Art\, and the Gala 8 “Distinguished Woman” Award at Birmingham Southern College.\nThe Catherine Konner Sculpture Park is open from dawn to dusk\, free to the public. Brochures can be picked up at the registration desk. For more information visit: www.rocklandartcenter.org or call 845-358-0877.\nThis exhibition was made possible thanks to the generous support of The Dorothy M. Gillespie Foundation and Gary Israel.\nRoCA’s programs are made possible\, in part\, with funds from the New York State Council on the Arts\, with the support of Governor Andrew Cuomo and the New York State Legislature. Funding is also made possible by the County of Rockland.\nRoCA gratefully acknowledges support for its programs from The Richard Pousette-Dart Foundation\, M&T Bank\, The M&T Charitable Foundation\, The Dorothy Gillespie Foundation\, Peter & Rebecca Lang\, Kantrowitz\, Goldhamer & Graifman P.C.\, Luxury Kitchen and Bath\, Golden Artist Colors\, Inc.\, QuietEvents\, the Estate of Joan Konner\, Lighting Services Inc.\, Sarah and Stephen Thomas\, the Mark and Jessie Milano Foundation\, Zaklin Family Charitable Fund\, The County of Rockland\, Simona and Jerome Chazen\, Art Services Group\, RoCA members\, donors and business members.
URL:https://www.hudsonriver.com/hhrt/event/the-enchanted-garden-colors-in-motion-sculptures-by-dorothy-gillespie-134/
LOCATION:Rockland Center for the Arts\,27 South Greenbush Road\, West Nyack\, NY 10994\, USA
CATEGORIES:Art,Outdoors
ATTACH;FMTTYPE=image/jpeg:https://www.hudsonriver.com/hhrt/wp-content/uploads/2022/10/dorothy-gillespie-roca-2021-4QEgWF.tmp_.jpg
ORGANIZER;CN="Rockland Center for the Arts":MAILTO:info@rocklandartcenter.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230308T173000
DTEND;TZID=America/New_York:20230308T203000
DTSTAMP:20260506T101821
CREATED:20230308T180845Z
LAST-MODIFIED:20230308T180845Z
UID:10005535-1678296600-1678307400@www.hudsonriver.com
SUMMARY:Dine Out for Change  & Celebrate International Women's Day
DESCRIPTION:Celebrate International Women’s Day and Dine Out for Change.\nInternational Women’s day is next week\, and this year’s theme is #EmbraceEquity. \nLet’s celebrate and support the Center for Safety and Change. For over 40 years\, the Center for Safety and Change has remained the only victim-assistance non-profit agency in Rockland County\, providing critical comfort to victims in crisis 24/7/365.\nFor International Women’s Day and beyond\, let’s all fully #EmbraceEquity.\nCall to reserve your spot at 845.480.5416
URL:https://www.hudsonriver.com/hhrt/event/dine-out-for-change-celebrate-international-womens-day/
LOCATION:Nyack\, NY\, USA
CATEGORIES:enjoy-nyack,Fundraiser,Restaurants/Food,Seasonal,Winter-Fun
ATTACH;FMTTYPE=image/jpeg:https://www.hudsonriver.com/hhrt/wp-content/uploads/2023/03/JPEG-International-Womens-Day-scaled-KQvJwm.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230308T190000
DTEND;TZID=America/New_York:20230308T200000
DTSTAMP:20260506T101821
CREATED:20230226T174945Z
LAST-MODIFIED:20230308T180845Z
UID:10005473-1678302000-1678305600@www.hudsonriver.com
SUMMARY:NOSH AND PLAY! - A BI-WEEKLY ADULT "RETREAT"
DESCRIPTION:NOSH AND PLAY! – A BI-WEEKLY ADULT “RETREAT”\nEvery other Wednesday 6:30-8:15pm\n$25 per visit\nA continuation of our “Paint\, Nosh\, Reflection” series.\nThis go around we will have guest facilitators lead a group activity which will be focused from theatre\, the arts\, dance\, or mindfulness.\nThis is an easy to swallow (pun-intended) evening meant to relax\, inspire\, and engage all of your senses.\nSo come join the fun and get out of the week-day brunt and let’s Nosh and Play!!\nEach week a special “nosh” will be featured to “feed the soul” in a very figurative way!\nThis is a safe space to make art\, be yourself\, and heal. Please come with that in mind as we hold space and kindness towards one another in the shared retreat.\nCome for one or all evenings.\n 
URL:https://www.hudsonriver.com/hhrt/event/nosh-and-play-a-bi-weekly-adult-retreat-2/
LOCATION:Creative Arts Workshop\, 48 Burd St\, Nyack\, NY\, 10960\, United States
CATEGORIES:Art,enjoy-nyack,Fall-Fun,Holiday Fun,inclusion,paintings,Restaurants/Food,Seasonal,Spring Fling,Summer-Fun,Visual-Art,Wellness,Winter-Fun,Workshop
ATTACH;FMTTYPE=image/webp:https://www.hudsonriver.com/hhrt/wp-content/uploads/2023/02/44f2f184-a3de-41f1-9ed0-1b3a534573aa___13080221090-1-scaled-UDvJ3T.tmp_.webp
ORGANIZER;CN="Creative Arts Workshop":MAILTO:jgarreffa@arts-workshop.com
END:VEVENT
END:VCALENDAR