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X-WR-CALDESC:Events for Historic Hudson River Towns
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230217
DTEND;VALUE=DATE:20230319
DTSTAMP:20260404T085212
CREATED:20230308T180845Z
LAST-MODIFIED:20230331T150534Z
UID:10005538-1676592000-1679183999@www.hudsonriver.com
SUMMARY:Accepting Submissions: “Open Call Members Exhibition” April 1-9\, 2023
DESCRIPTION:Edward Hopper House Museum & Study Center is pleased to relaunch the Members Exhibition for current Artist Members. The Spring Show – April 1-9\, 2023 – is an “Open Call Members Exhibition” showcasing up to 50 artists\, each of whom may enter one original artwork. (There will be another JURIED exhibition in the Autumn.) \nFully registered Artist Members will be accepted on a first come\, first served basis. \nFor entry details visit our website https://www.edwardhopperhouse.org/artist-members.html :
URL:https://www.hudsonriver.com/hhrt/event/accepting-submissions-open-call-members-exhibition-april-1-9-2023/
LOCATION:Edward Hopper House Museum & Study Center i\,82 North Broadway\, Nyack\, NY\, USA
CATEGORIES:Art,enjoy-nyack,photographs,Photography,Portraiture,Seasonal,Spring Fling,Visual-Art
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230217T070000
DTEND;TZID=America/New_York:20230223T233000
DTSTAMP:20260404T085212
CREATED:20230215T173348Z
LAST-MODIFIED:20230223T175015Z
UID:10005382-1676617200-1677195000@www.hudsonriver.com
SUMMARY:PERSONAL PROBLEMS\, streaming at Rivertown Film
DESCRIPTION:Defying the racially exclusive Hollywood studio system\, novelist Ishmael\nReed\, Rockland County director Bill Gunn and a renegade group of artists\nbanded together to make a “meta soap opera” about the struggles of a\nworking class couple in New York City in 1980. They illuminated Black\nreality and soap opera banality through the story of a nurse’s aid and her\nhusband\, leading us through the stresses of their lives. “With a\nFassbinderian flair for color and a neorealist’s eye for composition…\nGunn spins a potent ensemble drama from his modest domestic\nmilieu.”—Hollywood Reporter. USA\, 1980\, 165 minutes. Zoom discussion with\ncast and crew members Sam Waymon and Marshall Johnson\, moderated by Bill\nBatson\, on 2/21.\nPersonal Problems was produced on 3/4” videotape in 1980 and was shown once\non PBS. It was rediscovered in 2015 and restored\, but the master tapes were\ntoo badly degraded to bring them up to modern video standards.\n“George Bernard Shaw said that “If you do not tell your stories others will\ntell them for you and they will vulgarize and degrade you.” With few\nexceptions\, this expression can be applied to Hollywood’s treatment of\nBlacks from the creation of the industry to now.” – Personal Problems\nwriter\, Ishmael Reed\n“Personal Problems is among those rare\, quietly unassuming avant-garde\nworks that takes the trouble to be genuinely entertaining while pushing\nformal and textual boundaries.” —Film Comment
URL:https://www.hudsonriver.com/hhrt/event/personal-problems-streaming-at-rivertown-film/
LOCATION:https://watch.eventive.org/rivertownfilm/play/63cf3fc657fe7a004cb76468
CATEGORIES:Film,Virtual
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230217T090000
DTEND;TZID=America/New_York:20230217T200000
DTSTAMP:20260404T085212
CREATED:20230217T173403Z
LAST-MODIFIED:20230217T173404Z
UID:10005391-1676624400-1676664000@www.hudsonriver.com
SUMMARY:The Enchanted Garden: Colors in Motion - Sculptures by Dorothy Gillespie
DESCRIPTION:The Enchanted Garden: Colors in Motion\nSculptures by Dorothy M. Gillespie\nThe Catherine Konner Sculpture Park\nOct. 15\, 2021 – Oct. 2023\nFree to the Public\, Dawn to Dusk\nRoCA is proud to present the The Enchanted Garden: Colors in Motion exhibit as a part of a tribute to the 20th Century artist and feminist\, Dorothy Gillespie. The exhibit will open October 15th in The Catherine Konner Sculpture Park at RoCA.\nDorothy Gillespie’s joyful and brilliantly colored starbursts glimmer hanging from the trees as well as lining the pathway. The pieces create an enchanted garden of colors in motion. Though stationary they seem to possess a kinetic quality. Two larger pieces can be seen at the entry to RoCA. The exhibit was partially installed this summer and will be completed for exhibit October 15th. The exhibit will remain on display through October 2023.\nGillespie (1920-2012) was born in Roanoke\, VA and lived in Nyack during the later years of her life. She pioneered joyful\, new directions of metal sculpture and is best known for large-scale\, colorfully painted arrangements of cut aluminum strips curling\, radiating\, or undulating in giant arrangements of ribbons\, enchanted towers\, or bursting fireworks. She was well known as a painter\, sculptor and installation artist whose work incorporated many significant 20th-century trends in art.\nDuring Dorothy Gillespie’s youth … “girls did not attend art school\, at least not ‘nice’ girls\,” said Gillespie in 2010. Nevertheless\, she was determined to be an artist and attended the Maryland Institute College in Baltimore. She was more fortunate than women sculptors in the 19th Century who were mostly hired as studio assistants by established male sculptors with few exhibitions. Harriet Hosmer\, Emma Stebbins\, Edmonia Lewis\, Frances Grimes and Helen Mears were some of the few who made names in the arts as women during that time. They did not pursue monumental work as frequently as men did and mostly produced works in bronze and consistent middle-class demand for small-scale sculpture to decorate the home and garden. Today many more women are now entering traditional male dominated sculpture roles in metal\, wood and stone\, thanks to the pioneering activism of women like Dorothy Gillespie in the 20th century.\nAn influential force in the women’s movement\, Gillespie encouraged more women’s art in museums and art in public spaces. In 1970\, Gillespie joined Women in the Arts and created picket signs protesting at the Whitney Museum demanding that the curators choose more women artists for their “Annual exhibition. The demonstration worked\, and more women artists were chosen for the show. Although the increase was very slow\, over time it increased from 8 percent to 40 percent. Gillespie was the Founder of the Women Artists Historical Archives of the Women’s Interart Center in NY\, NY\, filming and taping interviews of some of the most important women artists of the 20th century as well as presenting her own radio show. Gillespie along with Joyce Weinstein founded a group called the NY Professional Women Artists. The 14 members lectures at Universities and wrote articles to encourage other women artists.\nGillespie also coordinated a course to educate and enlighten women in the visual arts\, after being invited to teach at The New School in NYC. The intent was to prepare women for a new\, more aggressive role to function in the art world. Due to her already busy schedule\, she asked artist Alice Barber to share the task of revealing to the young students the ‘system’ that drove the NY art world and how to succeed. In 1974 she organized an innovative outdoor exhibition\, Walk Through Art\, mounted in Central Park\, Battery Park\, and Rockefeller Center\, then travelling to fifty colleges\, universities and street fairs. Compelled to involve viewers in her work\, she created large 7 ft high triangles of art for people to walk through the sculptures. Gillespie has held positions of designing programs as a Professor of Art\, being a Board of Trustees for more than one college or art center\, as a visiting artist in residency and as the Chairperson of the Fine Arts Committee for the International Women’s Art Festival.\nDorothy Gillespie’s career spanned seven decades\, always at the forefront of the American Art movement. She studied at the Maryland Institute College in Baltimore before moving to New York City\, where she studied at the Art Students League. Her works grace many institutions\, museums\, colleges\, universities and public spaces\, including the permanent collection of the Solomon R. Guggenheim Museum and the United States Mission to the United Nations. She was one of the first artists to offer her art to the world through displays in the lobbies of public institutions and governmental centers such as the Mayo Clinic\, Epcot Center\, Warren Wilson College\, Fort Lauderdale Airport-Delta Terminal\, Fort Lauderdale Museum of Art\, the Miami Public Library\, United States Mission to the United Nations\, and the Court House Square – Roanoke\, VA and Universities across the country.\nAmong her many honors\, Gillespie received the Alice Baber Art Fund\, Inc. Grant Award: a Doctor of Pedagogy from Niagara University in Niagara Falls\, A Doctor of Fine Arts (Honoris Causa) from Caldwell College in Caldwell\, NY\, an Allied Professions Award from the Virginia Society\, the American Institute of Architects in Richmond\, VA.\, the Distinguished Alumni Award from Maryland Institute College of Art in Baltimore\, the Outstanding Services Award from University of Arkansas at Little Rock\, and the Lifetime Achievement Award from the Women’s Caucus for Art\, and the Gala 8 “Distinguished Woman” Award at Birmingham Southern College.\nThe Catherine Konner Sculpture Park is open from dawn to dusk\, free to the public. Brochures can be picked up at the registration desk. For more information visit: www.rocklandartcenter.org or call 845-358-0877.\nThis exhibition was made possible thanks to the generous support of The Dorothy M. Gillespie Foundation and Gary Israel.\nRoCA’s programs are made possible\, in part\, with funds from the New York State Council on the Arts\, with the support of Governor Andrew Cuomo and the New York State Legislature. Funding is also made possible by the County of Rockland.\nRoCA gratefully acknowledges support for its programs from The Richard Pousette-Dart Foundation\, M&T Bank\, The M&T Charitable Foundation\, The Dorothy Gillespie Foundation\, Peter & Rebecca Lang\, Kantrowitz\, Goldhamer & Graifman P.C.\, Luxury Kitchen and Bath\, Golden Artist Colors\, Inc.\, QuietEvents\, the Estate of Joan Konner\, Lighting Services Inc.\, Sarah and Stephen Thomas\, the Mark and Jessie Milano Foundation\, Zaklin Family Charitable Fund\, The County of Rockland\, Simona and Jerome Chazen\, Art Services Group\, RoCA members\, donors and business members.
URL:https://www.hudsonriver.com/hhrt/event/the-enchanted-garden-colors-in-motion-sculptures-by-dorothy-gillespie-115/
LOCATION:Rockland Center for the Arts\,27 South Greenbush Road\, West Nyack\, NY 10994\, USA
CATEGORIES:Art,Outdoors
ATTACH;FMTTYPE=image/jpeg:https://www.hudsonriver.com/hhrt/wp-content/uploads/2022/10/dorothy-gillespie-roca-2021-4QEgWF.tmp_.jpg
ORGANIZER;CN="Rockland Center for the Arts":MAILTO:info@rocklandartcenter.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230217T120000
DTEND;TZID=America/New_York:20230217T170000
DTSTAMP:20260404T085212
CREATED:20230124T161911Z
LAST-MODIFIED:20230127T155416Z
UID:10005167-1676635200-1676653200@www.hudsonriver.com
SUMMARY:Edward Hopper's Hudson River Boyhood and Emerging Artistic Vision
DESCRIPTION:Curated by Carole Perry and Kathleen Motes Bennewitz\, with Lynne Z. Bassett\nThis exhibition investigates how the artistic vision of Edward Hopper (1882-1967) coalesced during his youth in Nyack until he moved away in 1908\, at age 26\, to pursue his career in New York City. It features selections of the artist’s early drawings and sketches on loan from the Whitney Museum of American Art\, private collections and the Arthayer R. Sanborn Hopper Collection Trust\, as well as school notebooks\, artmaking materials\, and costumes\, memorabilia\, and artworks by Hopper and family members from the Edward Hopper House Museum’s collection and its Sanborn-Hopper Family Archive. Together\, these objects provide a glimpse into Hopper’s early years\, the influence of his boyhood proximity to the busy waterfront and commercial district of his hometown\, and insights into his life at home and his family’s support of his developing talent and ambitions.\n$10 Non-Members\n$8 Seniors\nMembership checked at door\nExhibit runs from November 3\, 2022-March 26\, 2023 during the Hopper House’s regular hours\, which are as follows:\nThursdays 1pm-5pm\nFridays 1pm-5pm\nSaturdays 12pm-5pm\nSundays 12pm-5pm
URL:https://www.hudsonriver.com/hhrt/event/edward-hoppers-hudson-river-boyhood-and-emerging-artistic-vision-3/2023-02-17/
LOCATION:Edward Hopper House Art Center\, 82 N Broadway\, Nyack\, NY 10960\, USA
CATEGORIES:Art,enjoy-nyack,Fall-Fun,History,Holiday Fun,paintings,photographs,Visual-Art,Winter-Fun
ATTACH;FMTTYPE=image/jpeg:https://www.hudsonriver.com/hhrt/wp-content/uploads/2022/11/07-berman-ehopper-child_orig-scaled-Q2hmVm.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230217T183000
DTEND;TZID=America/New_York:20230217T203000
DTSTAMP:20260404T085212
CREATED:20230120T165003Z
LAST-MODIFIED:20230120T165003Z
UID:10004954-1676658600-1676665800@www.hudsonriver.com
SUMMARY:The Spectre Bridegroom and Other Valentine's Ghost Stories by Peter Royston
DESCRIPTION:Love conquers all – even Death! This Valentine’s Day\, gather up your loved ones (or just come yourself!) and head to the Tarrytown Music Hall to meet THE SPECTRE BRIDEGROOM AND OTHER VALENTINE’S GHOST STORIES. This lushly eerie event tells two romantic ghost stories adapted for the stage by Peter Royston.\nThe Spectre Bridegroom\, based on a story by Washington Irving\, the creator of Rip Van Winkle and The Headless Horseman\, is a fun and passionate tale of love at first – and last – sight! On her wedding day\, a young woman meets her betrothed\, only to find that he may have other\, ghostly\, plans!\nIn the other tale\, Death Rides Fast\, another young woman rides through the night on a magical horse with a man who may\, or may not\, be her long lost husband!\nIn THE SPECTRE BRIDEGROOM AND OTHER VALENTINE’S GHOST STORIES\, the audience moves with the action of the stories throughout the beautiful\, historic Music Hall!\nPlease join your Ghost Hosts at the Tarrytown Music Hall for THE SPECTRE BRIDEGROOM AND OTHER VALENTINE’S GHOST STORIES! It’s a 45 minute romantic\, exciting and spooky event for Valentine’s Day – a perfectly delightful way to celebrate love\, passion and thrills!\nTickets:\n$25 Adults\nSpecial Valentines Day Event pricing: $30 *\n*Additional $10 long-stem rose available for pre-sale purchase\nThe Box Office will not be open for these performances\, please have your digital tickets available\nPlease arrive 15 minutes before scheduled tour time – No late entry will be permitted\nThe 45-minute tour kicks off in the theater lobby and does include climbing stairs and extended periods of standing.\nMaximum 60 patrons per event.
URL:https://www.hudsonriver.com/hhrt/event/the-spectre-bridegroom-and-other-valentines-ghost-stories-by-peter-royston-15/
LOCATION:Tarrytown Music Hall\, 13 Main Street\, Tarrytown\, NY\, 10591\, United States
CATEGORIES:Performing Arts
ATTACH;FMTTYPE=image/jpeg:https://www.hudsonriver.com/hhrt/wp-content/uploads/2023/01/SpectreBridegroom23fb-aSoIQy.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230217T190000
DTEND;TZID=America/New_York:20230217T190000
DTSTAMP:20260404T085212
CREATED:20230215T173347Z
LAST-MODIFIED:20230217T173404Z
UID:10005377-1676660400-1676660400@www.hudsonriver.com
SUMMARY:Joseph Cornell
DESCRIPTION:
URL:https://www.hudsonriver.com/hhrt/event/joseph-cornell/
LOCATION:Creative Arts Workshop\, Nyack\, NY\, USA\,48 Burd St Suite 101\, Nyack\, NY 10960\, USA
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230217T190000
DTEND;TZID=America/New_York:20230217T210000
DTSTAMP:20260404T085212
CREATED:20230217T173403Z
LAST-MODIFIED:20230217T173404Z
UID:10005392-1676660400-1676667600@www.hudsonriver.com
SUMMARY:Sip & Sculpt @ Creative Arts Workshop
DESCRIPTION:A night to celebrate Joseph Cornell and expression.\n \n 
URL:https://www.hudsonriver.com/hhrt/event/sip-sculpt-creative-arts-workshop/
LOCATION:Creative Arts Workshop\, Nyack\, NY\, USA\,48 Burd St Suite 101\, Nyack\, NY 10960\, USA
CATEGORIES:Art,enjoy-nyack,Seasonal,Visual-Art,Winter-Fun,Workshop
ATTACH;FMTTYPE=image/jpeg:https://www.hudsonriver.com/hhrt/wp-content/uploads/2023/02/scaled_384-b6T7qj.tmp_.jpg
ORGANIZER;CN="Creative Arts Workshop":MAILTO:jgarreffa@arts-workshop.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230217T200000
DTEND;TZID=America/New_York:20230217T220000
DTSTAMP:20260404T085212
CREATED:20221013T210027Z
LAST-MODIFIED:20221013T210027Z
UID:10004381-1676664000-1676671200@www.hudsonriver.com
SUMMARY:Los Lobos
DESCRIPTION:The journey of Los Lobos began in 1973\, 50 years ago this year\, when David Hidalgo (vocals\, guitar\, and pretty much anything with strings)\, Louie Perez (drums\, vocals\, guitar)\, Cesar Rosas (vocals\, guitar)\, and Conrad Lozano (bass\, vocals\, guitarrón) earned their stripes playing revved-up versions of Mexican folk music in restaurants and at parties. The band evolved in the 1980s as it tapped into L.A.’s burgeoning punk and college rock scenes. They were soon sharing bills with bands like the Circle Jerks\, Public Image Ltd. and the Blasters\, whose saxophonist\, Steve Berlin\, would eventually leave the group to join Los Lobos in 1984. \nEarly on\, Los Lobos enjoyed critical success\, winning the Grammy® for Best Mexican-American Performance for “Anselma” from its 1983 EP …And a Time to Dance. A year later\, the group released its full-length\, major-label debut\, How Will the Wolf Survive? Co-produced by Berlin and T Bone Burnett\, the album was a college rock sensation that helped Los Lobos tie with Bruce Springsteen as Rolling Stone’s Artist of the Year. \nA major turning point came in 1987 with the release of the Ritchie Valens biopic\, La Bamba. The quintet’s cover of Valens’ signature song topped the charts in the U.S. and the U.K. Rather than capitalize on that massive commercial success\, Los Lobos instead chose to record La Pistola y El Corazón\, a tribute to Tejano and Mariachi music that won the 1989 Grammy® for Best Mexican-American Performance. \nLos Lobos has sold millions of records\, won prestigious awards and made fans around the world. But perhaps its most lasting impact will be how well its music embodies the idea of America as a cultural melting pot. In it\, styles like son jarocho\, norteño\, Tejano\, folk\, country\, doo-wop\, soul\, R&B\, rock ’n’ roll and punk all come together to create a new sound that’s greater than the sum of its parts.
URL:https://www.hudsonriver.com/hhrt/event/los-lobos/
LOCATION:Paramount Hudson Valley Theater\, 1008 Brown St\, Peekskill\, NY\, 10566\, United States
ATTACH;FMTTYPE=image/png:https://www.hudsonriver.com/hhrt/wp-content/uploads/2022/10/02-17-23-los-lobos-1.png
ORGANIZER;CN="Paramount Hudson Valley Theater":MAILTO:boxoffice@paramounthudsonvalley.com
GEO:41.2902344;-73.9196783
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Paramount Hudson Valley Theater 1008 Brown St Peekskill NY 10566 United States;X-APPLE-RADIUS=500;X-TITLE=1008 Brown St:geo:-73.9196783,41.2902344
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230218
DTEND;VALUE=DATE:20230220
DTSTAMP:20260404T085212
CREATED:20230212T170811Z
LAST-MODIFIED:20230218T174855Z
UID:10005362-1676678400-1676851199@www.hudsonriver.com
SUMMARY:Photo Exhibit: 82 Pieces of '82: Main Street\, Nyack
DESCRIPTION:82 Pieces of ’82\nMain Street\, Nyack\nPhotos by Brad Hess\nThe Historical Society of the Nyacks\n50 Piermont Avenue\n \nThe exhibit will be open Saturdays from 1 – 4 January 21st through April 15th\nIn 1982\, photographer Brad Hess walked Main Street in Nyack every Sunday morning\, taking over 3\,000 black and white photographs. Trying out a new film\, he decided Main Street was where he would experiment with it. As the images emerged from his dark room\, he became fascinated with the quality of the film as well as the opportunities Main Street offered him. He returned nearly every Sunday morning for the next year\, walking from 9W to the riverfront.\n \n82 Pieces of ’82\, Main Street\, Nyack will be our first traditional “opening” since COVID. Please join us in thanking Brad for sharing his amazing work with us\, and hearing what he has to say about these street scenes and their meaning for Nyack. We look forward to your questions\, feedback and commentary. Brad will have the floor around 1:30. Please come masked – we want to minimize everyone’s exposure to our current variant with its high transmission potential. And for that reason also\, our refreshments are very minimal.\n 
URL:https://www.hudsonriver.com/hhrt/event/photo-exhibit-82-pieces-of-82-main-street-nyack-5/
LOCATION:Historical Society of the Nyacks 50 Piermont Ave.\, Nyack\, NY\, 50 Piermont Ave.\, Nyack\, 10960\, United States
CATEGORIES:Art,enjoy-nyack,Family-Friendly,Free-Admission,photographs,Photography,Portraiture,Seasonal,Spring Fling,Visual-Art,Winter-Fun
ATTACH;FMTTYPE=image/jpeg:https://www.hudsonriver.com/hhrt/wp-content/uploads/2023/01/unnamed-5-wcMFcD.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230218T090000
DTEND;TZID=America/New_York:20230218T200000
DTSTAMP:20260404T085212
CREATED:20230218T174854Z
LAST-MODIFIED:20230218T174855Z
UID:10005399-1676710800-1676750400@www.hudsonriver.com
SUMMARY:The Enchanted Garden: Colors in Motion - Sculptures by Dorothy Gillespie
DESCRIPTION:The Enchanted Garden: Colors in Motion\nSculptures by Dorothy M. Gillespie\nThe Catherine Konner Sculpture Park\nOct. 15\, 2021 – Oct. 2023\nFree to the Public\, Dawn to Dusk\nRoCA is proud to present the The Enchanted Garden: Colors in Motion exhibit as a part of a tribute to the 20th Century artist and feminist\, Dorothy Gillespie. The exhibit will open October 15th in The Catherine Konner Sculpture Park at RoCA.\nDorothy Gillespie’s joyful and brilliantly colored starbursts glimmer hanging from the trees as well as lining the pathway. The pieces create an enchanted garden of colors in motion. Though stationary they seem to possess a kinetic quality. Two larger pieces can be seen at the entry to RoCA. The exhibit was partially installed this summer and will be completed for exhibit October 15th. The exhibit will remain on display through October 2023.\nGillespie (1920-2012) was born in Roanoke\, VA and lived in Nyack during the later years of her life. She pioneered joyful\, new directions of metal sculpture and is best known for large-scale\, colorfully painted arrangements of cut aluminum strips curling\, radiating\, or undulating in giant arrangements of ribbons\, enchanted towers\, or bursting fireworks. She was well known as a painter\, sculptor and installation artist whose work incorporated many significant 20th-century trends in art.\nDuring Dorothy Gillespie’s youth … “girls did not attend art school\, at least not ‘nice’ girls\,” said Gillespie in 2010. Nevertheless\, she was determined to be an artist and attended the Maryland Institute College in Baltimore. She was more fortunate than women sculptors in the 19th Century who were mostly hired as studio assistants by established male sculptors with few exhibitions. Harriet Hosmer\, Emma Stebbins\, Edmonia Lewis\, Frances Grimes and Helen Mears were some of the few who made names in the arts as women during that time. They did not pursue monumental work as frequently as men did and mostly produced works in bronze and consistent middle-class demand for small-scale sculpture to decorate the home and garden. Today many more women are now entering traditional male dominated sculpture roles in metal\, wood and stone\, thanks to the pioneering activism of women like Dorothy Gillespie in the 20th century.\nAn influential force in the women’s movement\, Gillespie encouraged more women’s art in museums and art in public spaces. In 1970\, Gillespie joined Women in the Arts and created picket signs protesting at the Whitney Museum demanding that the curators choose more women artists for their “Annual exhibition. The demonstration worked\, and more women artists were chosen for the show. Although the increase was very slow\, over time it increased from 8 percent to 40 percent. Gillespie was the Founder of the Women Artists Historical Archives of the Women’s Interart Center in NY\, NY\, filming and taping interviews of some of the most important women artists of the 20th century as well as presenting her own radio show. Gillespie along with Joyce Weinstein founded a group called the NY Professional Women Artists. The 14 members lectures at Universities and wrote articles to encourage other women artists.\nGillespie also coordinated a course to educate and enlighten women in the visual arts\, after being invited to teach at The New School in NYC. The intent was to prepare women for a new\, more aggressive role to function in the art world. Due to her already busy schedule\, she asked artist Alice Barber to share the task of revealing to the young students the ‘system’ that drove the NY art world and how to succeed. In 1974 she organized an innovative outdoor exhibition\, Walk Through Art\, mounted in Central Park\, Battery Park\, and Rockefeller Center\, then travelling to fifty colleges\, universities and street fairs. Compelled to involve viewers in her work\, she created large 7 ft high triangles of art for people to walk through the sculptures. Gillespie has held positions of designing programs as a Professor of Art\, being a Board of Trustees for more than one college or art center\, as a visiting artist in residency and as the Chairperson of the Fine Arts Committee for the International Women’s Art Festival.\nDorothy Gillespie’s career spanned seven decades\, always at the forefront of the American Art movement. She studied at the Maryland Institute College in Baltimore before moving to New York City\, where she studied at the Art Students League. Her works grace many institutions\, museums\, colleges\, universities and public spaces\, including the permanent collection of the Solomon R. Guggenheim Museum and the United States Mission to the United Nations. She was one of the first artists to offer her art to the world through displays in the lobbies of public institutions and governmental centers such as the Mayo Clinic\, Epcot Center\, Warren Wilson College\, Fort Lauderdale Airport-Delta Terminal\, Fort Lauderdale Museum of Art\, the Miami Public Library\, United States Mission to the United Nations\, and the Court House Square – Roanoke\, VA and Universities across the country.\nAmong her many honors\, Gillespie received the Alice Baber Art Fund\, Inc. Grant Award: a Doctor of Pedagogy from Niagara University in Niagara Falls\, A Doctor of Fine Arts (Honoris Causa) from Caldwell College in Caldwell\, NY\, an Allied Professions Award from the Virginia Society\, the American Institute of Architects in Richmond\, VA.\, the Distinguished Alumni Award from Maryland Institute College of Art in Baltimore\, the Outstanding Services Award from University of Arkansas at Little Rock\, and the Lifetime Achievement Award from the Women’s Caucus for Art\, and the Gala 8 “Distinguished Woman” Award at Birmingham Southern College.\nThe Catherine Konner Sculpture Park is open from dawn to dusk\, free to the public. Brochures can be picked up at the registration desk. For more information visit: www.rocklandartcenter.org or call 845-358-0877.\nThis exhibition was made possible thanks to the generous support of The Dorothy M. Gillespie Foundation and Gary Israel.\nRoCA’s programs are made possible\, in part\, with funds from the New York State Council on the Arts\, with the support of Governor Andrew Cuomo and the New York State Legislature. Funding is also made possible by the County of Rockland.\nRoCA gratefully acknowledges support for its programs from The Richard Pousette-Dart Foundation\, M&T Bank\, The M&T Charitable Foundation\, The Dorothy Gillespie Foundation\, Peter & Rebecca Lang\, Kantrowitz\, Goldhamer & Graifman P.C.\, Luxury Kitchen and Bath\, Golden Artist Colors\, Inc.\, QuietEvents\, the Estate of Joan Konner\, Lighting Services Inc.\, Sarah and Stephen Thomas\, the Mark and Jessie Milano Foundation\, Zaklin Family Charitable Fund\, The County of Rockland\, Simona and Jerome Chazen\, Art Services Group\, RoCA members\, donors and business members.
URL:https://www.hudsonriver.com/hhrt/event/the-enchanted-garden-colors-in-motion-sculptures-by-dorothy-gillespie-116/
LOCATION:Rockland Center for the Arts\,27 South Greenbush Road\, West Nyack\, NY 10994\, USA
CATEGORIES:Art,Outdoors
ATTACH;FMTTYPE=image/jpeg:https://www.hudsonriver.com/hhrt/wp-content/uploads/2022/10/dorothy-gillespie-roca-2021-4QEgWF.tmp_.jpg
ORGANIZER;CN="Rockland Center for the Arts":MAILTO:info@rocklandartcenter.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230218T120000
DTEND;TZID=America/New_York:20230218T170000
DTSTAMP:20260404T085212
CREATED:20230124T161911Z
LAST-MODIFIED:20230127T155416Z
UID:10005168-1676721600-1676739600@www.hudsonriver.com
SUMMARY:Edward Hopper's Hudson River Boyhood and Emerging Artistic Vision
DESCRIPTION:Curated by Carole Perry and Kathleen Motes Bennewitz\, with Lynne Z. Bassett\nThis exhibition investigates how the artistic vision of Edward Hopper (1882-1967) coalesced during his youth in Nyack until he moved away in 1908\, at age 26\, to pursue his career in New York City. It features selections of the artist’s early drawings and sketches on loan from the Whitney Museum of American Art\, private collections and the Arthayer R. Sanborn Hopper Collection Trust\, as well as school notebooks\, artmaking materials\, and costumes\, memorabilia\, and artworks by Hopper and family members from the Edward Hopper House Museum’s collection and its Sanborn-Hopper Family Archive. Together\, these objects provide a glimpse into Hopper’s early years\, the influence of his boyhood proximity to the busy waterfront and commercial district of his hometown\, and insights into his life at home and his family’s support of his developing talent and ambitions.\n$10 Non-Members\n$8 Seniors\nMembership checked at door\nExhibit runs from November 3\, 2022-March 26\, 2023 during the Hopper House’s regular hours\, which are as follows:\nThursdays 1pm-5pm\nFridays 1pm-5pm\nSaturdays 12pm-5pm\nSundays 12pm-5pm
URL:https://www.hudsonriver.com/hhrt/event/edward-hoppers-hudson-river-boyhood-and-emerging-artistic-vision-3/2023-02-18/
LOCATION:Edward Hopper House Art Center\, 82 N Broadway\, Nyack\, NY 10960\, USA
CATEGORIES:Art,enjoy-nyack,Fall-Fun,History,Holiday Fun,paintings,photographs,Visual-Art,Winter-Fun
ATTACH;FMTTYPE=image/jpeg:https://www.hudsonriver.com/hhrt/wp-content/uploads/2022/11/07-berman-ehopper-child_orig-scaled-Q2hmVm.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230218T130000
DTEND;TZID=America/New_York:20230218T160000
DTSTAMP:20260404T085212
CREATED:20230213T170901Z
LAST-MODIFIED:20230218T174855Z
UID:10005364-1676725200-1676736000@www.hudsonriver.com
SUMMARY:Unique Crystal Fine Art Paintings
DESCRIPTION:Do you love crystals? Experience the power of crystals\nin a new collection of 20+ original fine art crystal paintings.\nEach painting combines the power of a specific Color\, Image\, and Crystal to\nproduce positive energy for peace\, joy\, success\, and/or wealth. Crystals in the paintings include: Citrine\, Amethyst\,\nRose Quartz\, Clear Quartz\, Peridot\, Moonstone\, and others.\nYou will feel the power of these unique crystal paintings when you visit.\nPaintings come with info about the crystal\, color\, and image used\nand are affordably priced from $60 to $195.\nThis is a must-see\, brand-new\, unique fine-art genre.\nArts Alive Art Gallery\, 85 South Broadway\, Nyack\, NY\nSaturdays & Sundays 1 – 4 pm.
URL:https://www.hudsonriver.com/hhrt/event/unique-crystal-fine-art-paintings-7/
LOCATION:Arts Alive Art Gallery\,85 South Broadway\, Nyack\, NY 10960\, USA
CATEGORIES:Art,enjoy-nyack,Family-Friendly,paintings,photographs,Photography,Portraiture,Seasonal,Shopping,Visual-Art,Winter-Fun
ATTACH;FMTTYPE=image/png:https://www.hudsonriver.com/hhrt/wp-content/uploads/2023/01/Screen-Shot-2023-01-25-at-1.04.58-PM-sfsYUv.tmp_.png
ORGANIZER;CN="Arts Alive Art Gallery":MAILTO:hvwebtv@aol.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230218T200000
DTEND;TZID=America/New_York:20230218T213000
DTSTAMP:20260404T085212
CREATED:20230215T173347Z
LAST-MODIFIED:20230218T174854Z
UID:10005378-1676750400-1676755800@www.hudsonriver.com
SUMMARY:Haven: Safe Houses of the Hudson Valley
DESCRIPTION:Saturday\, February 18 at 8:00pm\nRockland Center for the Arts\n27 South Greenbush Road West Nyack\, NY\nRegistration is required and begins Feb. 4th.\nFree of charge or by donation.\nMasks encouraged.\nThis play is sponsored in collaboration with The Gordon Center for Black\nCulture and the Arts and Shades Repertory Theater.\nIn Celebration of African American History Month\, Shades Repertory Theater\ncontinues on its ongoing journey to bring the rich history of the Black\nexperience to the stage. Haven is Part One in a series on the Underground\nRailroad Safe Houses in the Hudson Valley in the 1860s. Rockland and\nWestchester Villages were key routes along the Hudson River\, with many\nchurches\, homes and storefronts serving as safe havens for slaves seeking\nfreedom in Canada. Haven is written and directed by award-winning\nplaywright Samuel Harps\, and stars; Dameon Reilly-Maiysha\nJones-Reilly-Steve Allen-Donna James-Michelle Evans-Brian Bagot and Scott\nSchneider with customs designed by Zacha Liz.\nRoCA’s programs are made possible\, in part\, with funds from the New York\nState Council on the Arts\, with the support of Governor Kathy Hochul and\nthe New York State Legislature. Funding is also made possible by ASG of\nConnecticut.
URL:https://www.hudsonriver.com/hhrt/event/haven-safe-houses-of-the-hudson-valley-2/
LOCATION:Rockland Center for the Arts\,27 South Greenbush Road\, West Nyack\, NY 10994\, USA
CATEGORIES:Children,Free-Admission,Theater
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230218T200000
DTEND;TZID=America/New_York:20230218T213000
DTSTAMP:20260404T085212
CREATED:20230215T173347Z
LAST-MODIFIED:20230218T174855Z
UID:10005380-1676750400-1676755800@www.hudsonriver.com
SUMMARY:Haven: A play by Samuel Harps
DESCRIPTION:Haven\nA Play by Samuel Harps\nPart One: Safe Houses of the Hudson Valley\nSaturday\, February 18 at 8:00pm\nRockland Center for the Arts\n27 South Greenbush Road West Nyack\, NY\nRegistration is required and begins Feb. 4th.\nFree of charge or by donation.\nMasks encouraged.\nThis play is sponsored in collaboration with The Gordon Center for Black Culture and the Arts and Shades Repertory Theater.\nIn Celebration of African American History Month\, Shades Repertory Theater continues on its ongoing journey to bring the rich history of the Black experience to the stage.   Haven is Part One in a series on the Underground Railroad Safe Houses in the Hudson Valley in the 1860s.   Rockland and Westchester Villages were key routes along the Hudson River\, with many churches\, homes and storefronts serving as safe havens for slaves seeking freedom in Canada.   Haven is written and directed by award-winning playwright Samuel Harps\, and stars; Dameon Reilly-Maiysha Jones-Reilly-Steve Allen-Donna James-Michelle Evans-Brian Bagot and Scott Schneider with customs designed by Zacha Liz.\nFor more information or to register call RoCA at 845-358-0877.\n \n \n \n \n \n \n 
URL:https://www.hudsonriver.com/hhrt/event/haven-a-play-by-samuel-harps/
LOCATION:Rockland Center for the Arts\, 27 South Greenbush Road\, West Nyack\, 10994
CATEGORIES:Free-Admission,Theater
ATTACH;FMTTYPE=image/jpeg:https://www.hudsonriver.com/hhrt/wp-content/uploads/2023/02/SAFE-HOUSES-NEW-1_20_22-ZBMp0H.tmp_.jpg
ORGANIZER;CN="Rockland Center for the Arts":MAILTO:info@rocklandartcenter.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230219T090000
DTEND;TZID=America/New_York:20230219T200000
DTSTAMP:20260404T085212
CREATED:20230219T174853Z
LAST-MODIFIED:20230219T174854Z
UID:10005402-1676797200-1676836800@www.hudsonriver.com
SUMMARY:The Enchanted Garden: Colors in Motion - Sculptures by Dorothy Gillespie
DESCRIPTION:The Enchanted Garden: Colors in Motion\nSculptures by Dorothy M. Gillespie\nThe Catherine Konner Sculpture Park\nOct. 15\, 2021 – Oct. 2023\nFree to the Public\, Dawn to Dusk\nRoCA is proud to present the The Enchanted Garden: Colors in Motion exhibit as a part of a tribute to the 20th Century artist and feminist\, Dorothy Gillespie. The exhibit will open October 15th in The Catherine Konner Sculpture Park at RoCA.\nDorothy Gillespie’s joyful and brilliantly colored starbursts glimmer hanging from the trees as well as lining the pathway. The pieces create an enchanted garden of colors in motion. Though stationary they seem to possess a kinetic quality. Two larger pieces can be seen at the entry to RoCA. The exhibit was partially installed this summer and will be completed for exhibit October 15th. The exhibit will remain on display through October 2023.\nGillespie (1920-2012) was born in Roanoke\, VA and lived in Nyack during the later years of her life. She pioneered joyful\, new directions of metal sculpture and is best known for large-scale\, colorfully painted arrangements of cut aluminum strips curling\, radiating\, or undulating in giant arrangements of ribbons\, enchanted towers\, or bursting fireworks. She was well known as a painter\, sculptor and installation artist whose work incorporated many significant 20th-century trends in art.\nDuring Dorothy Gillespie’s youth … “girls did not attend art school\, at least not ‘nice’ girls\,” said Gillespie in 2010. Nevertheless\, she was determined to be an artist and attended the Maryland Institute College in Baltimore. She was more fortunate than women sculptors in the 19th Century who were mostly hired as studio assistants by established male sculptors with few exhibitions. Harriet Hosmer\, Emma Stebbins\, Edmonia Lewis\, Frances Grimes and Helen Mears were some of the few who made names in the arts as women during that time. They did not pursue monumental work as frequently as men did and mostly produced works in bronze and consistent middle-class demand for small-scale sculpture to decorate the home and garden. Today many more women are now entering traditional male dominated sculpture roles in metal\, wood and stone\, thanks to the pioneering activism of women like Dorothy Gillespie in the 20th century.\nAn influential force in the women’s movement\, Gillespie encouraged more women’s art in museums and art in public spaces. In 1970\, Gillespie joined Women in the Arts and created picket signs protesting at the Whitney Museum demanding that the curators choose more women artists for their “Annual exhibition. The demonstration worked\, and more women artists were chosen for the show. Although the increase was very slow\, over time it increased from 8 percent to 40 percent. Gillespie was the Founder of the Women Artists Historical Archives of the Women’s Interart Center in NY\, NY\, filming and taping interviews of some of the most important women artists of the 20th century as well as presenting her own radio show. Gillespie along with Joyce Weinstein founded a group called the NY Professional Women Artists. The 14 members lectures at Universities and wrote articles to encourage other women artists.\nGillespie also coordinated a course to educate and enlighten women in the visual arts\, after being invited to teach at The New School in NYC. The intent was to prepare women for a new\, more aggressive role to function in the art world. Due to her already busy schedule\, she asked artist Alice Barber to share the task of revealing to the young students the ‘system’ that drove the NY art world and how to succeed. In 1974 she organized an innovative outdoor exhibition\, Walk Through Art\, mounted in Central Park\, Battery Park\, and Rockefeller Center\, then travelling to fifty colleges\, universities and street fairs. Compelled to involve viewers in her work\, she created large 7 ft high triangles of art for people to walk through the sculptures. Gillespie has held positions of designing programs as a Professor of Art\, being a Board of Trustees for more than one college or art center\, as a visiting artist in residency and as the Chairperson of the Fine Arts Committee for the International Women’s Art Festival.\nDorothy Gillespie’s career spanned seven decades\, always at the forefront of the American Art movement. She studied at the Maryland Institute College in Baltimore before moving to New York City\, where she studied at the Art Students League. Her works grace many institutions\, museums\, colleges\, universities and public spaces\, including the permanent collection of the Solomon R. Guggenheim Museum and the United States Mission to the United Nations. She was one of the first artists to offer her art to the world through displays in the lobbies of public institutions and governmental centers such as the Mayo Clinic\, Epcot Center\, Warren Wilson College\, Fort Lauderdale Airport-Delta Terminal\, Fort Lauderdale Museum of Art\, the Miami Public Library\, United States Mission to the United Nations\, and the Court House Square – Roanoke\, VA and Universities across the country.\nAmong her many honors\, Gillespie received the Alice Baber Art Fund\, Inc. Grant Award: a Doctor of Pedagogy from Niagara University in Niagara Falls\, A Doctor of Fine Arts (Honoris Causa) from Caldwell College in Caldwell\, NY\, an Allied Professions Award from the Virginia Society\, the American Institute of Architects in Richmond\, VA.\, the Distinguished Alumni Award from Maryland Institute College of Art in Baltimore\, the Outstanding Services Award from University of Arkansas at Little Rock\, and the Lifetime Achievement Award from the Women’s Caucus for Art\, and the Gala 8 “Distinguished Woman” Award at Birmingham Southern College.\nThe Catherine Konner Sculpture Park is open from dawn to dusk\, free to the public. Brochures can be picked up at the registration desk. For more information visit: www.rocklandartcenter.org or call 845-358-0877.\nThis exhibition was made possible thanks to the generous support of The Dorothy M. Gillespie Foundation and Gary Israel.\nRoCA’s programs are made possible\, in part\, with funds from the New York State Council on the Arts\, with the support of Governor Andrew Cuomo and the New York State Legislature. Funding is also made possible by the County of Rockland.\nRoCA gratefully acknowledges support for its programs from The Richard Pousette-Dart Foundation\, M&T Bank\, The M&T Charitable Foundation\, The Dorothy Gillespie Foundation\, Peter & Rebecca Lang\, Kantrowitz\, Goldhamer & Graifman P.C.\, Luxury Kitchen and Bath\, Golden Artist Colors\, Inc.\, QuietEvents\, the Estate of Joan Konner\, Lighting Services Inc.\, Sarah and Stephen Thomas\, the Mark and Jessie Milano Foundation\, Zaklin Family Charitable Fund\, The County of Rockland\, Simona and Jerome Chazen\, Art Services Group\, RoCA members\, donors and business members.
URL:https://www.hudsonriver.com/hhrt/event/the-enchanted-garden-colors-in-motion-sculptures-by-dorothy-gillespie-117/
LOCATION:Rockland Center for the Arts\,27 South Greenbush Road\, West Nyack\, NY 10994\, USA
CATEGORIES:Art,Outdoors
ATTACH;FMTTYPE=image/jpeg:https://www.hudsonriver.com/hhrt/wp-content/uploads/2022/10/dorothy-gillespie-roca-2021-4QEgWF.tmp_.jpg
ORGANIZER;CN="Rockland Center for the Arts":MAILTO:info@rocklandartcenter.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230219T120000
DTEND;TZID=America/New_York:20230219T170000
DTSTAMP:20260404T085212
CREATED:20230124T161911Z
LAST-MODIFIED:20230127T155416Z
UID:10005169-1676808000-1676826000@www.hudsonriver.com
SUMMARY:Edward Hopper's Hudson River Boyhood and Emerging Artistic Vision
DESCRIPTION:Curated by Carole Perry and Kathleen Motes Bennewitz\, with Lynne Z. Bassett\nThis exhibition investigates how the artistic vision of Edward Hopper (1882-1967) coalesced during his youth in Nyack until he moved away in 1908\, at age 26\, to pursue his career in New York City. It features selections of the artist’s early drawings and sketches on loan from the Whitney Museum of American Art\, private collections and the Arthayer R. Sanborn Hopper Collection Trust\, as well as school notebooks\, artmaking materials\, and costumes\, memorabilia\, and artworks by Hopper and family members from the Edward Hopper House Museum’s collection and its Sanborn-Hopper Family Archive. Together\, these objects provide a glimpse into Hopper’s early years\, the influence of his boyhood proximity to the busy waterfront and commercial district of his hometown\, and insights into his life at home and his family’s support of his developing talent and ambitions.\n$10 Non-Members\n$8 Seniors\nMembership checked at door\nExhibit runs from November 3\, 2022-March 26\, 2023 during the Hopper House’s regular hours\, which are as follows:\nThursdays 1pm-5pm\nFridays 1pm-5pm\nSaturdays 12pm-5pm\nSundays 12pm-5pm
URL:https://www.hudsonriver.com/hhrt/event/edward-hoppers-hudson-river-boyhood-and-emerging-artistic-vision-3/2023-02-19/
LOCATION:Edward Hopper House Art Center\, 82 N Broadway\, Nyack\, NY 10960\, USA
CATEGORIES:Art,enjoy-nyack,Fall-Fun,History,Holiday Fun,paintings,photographs,Visual-Art,Winter-Fun
ATTACH;FMTTYPE=image/jpeg:https://www.hudsonriver.com/hhrt/wp-content/uploads/2022/11/07-berman-ehopper-child_orig-scaled-Q2hmVm.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230219T130000
DTEND;TZID=America/New_York:20230219T160000
DTSTAMP:20260404T085212
CREATED:20230219T174854Z
LAST-MODIFIED:20230219T174854Z
UID:10005403-1676811600-1676822400@www.hudsonriver.com
SUMMARY:Unique Crystal Fine Art Paintings
DESCRIPTION:Do you love crystals? Experience the power of crystals\nin a new collection of 20+ original fine art crystal paintings.\nEach painting combines the power of a specific Color\, Image\, and Crystal to\nproduce positive energy for peace\, joy\, success\, and/or wealth. Crystals in the paintings include: Citrine\, Amethyst\,\nRose Quartz\, Clear Quartz\, Peridot\, Moonstone\, and others.\nYou will feel the power of these unique crystal paintings when you visit.\nPaintings come with info about the crystal\, color\, and image used\nand are affordably priced from $60 to $195.\nThis is a must-see\, brand-new\, unique fine-art genre.\nArts Alive Art Gallery\, 85 South Broadway\, Nyack\, NY\nSaturdays & Sundays 1 – 4 pm.
URL:https://www.hudsonriver.com/hhrt/event/unique-crystal-fine-art-paintings-8/
LOCATION:Arts Alive Art Gallery\,85 South Broadway\, Nyack\, NY 10960\, USA
CATEGORIES:Art,enjoy-nyack,Family-Friendly,paintings,photographs,Photography,Portraiture,Seasonal,Shopping,Visual-Art,Winter-Fun
ATTACH;FMTTYPE=image/png:https://www.hudsonriver.com/hhrt/wp-content/uploads/2023/01/Screen-Shot-2023-01-25-at-1.04.58-PM-sfsYUv.tmp_.png
ORGANIZER;CN="Arts Alive Art Gallery":MAILTO:hvwebtv@aol.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230219T140000
DTEND;TZID=America/New_York:20230219T170000
DTSTAMP:20260404T085212
CREATED:20230215T173348Z
LAST-MODIFIED:20230219T174854Z
UID:10005381-1676815200-1676826000@www.hudsonriver.com
SUMMARY:Opening Reception - New Voices: Rockland's Next Art Generation
DESCRIPTION:Please join Rockland Center for the Arts for New Voices: Rockland’s Next\nArt Generation\, opening Sunday\, February 19th from 2-5pm. During RoCA’s\n75th Anniversary\, in 2022\, it presented Rockland’s Women of South Mountain\nRoad. These women had achieved national and international notoriety in\ntheir various fields. We are excited to start off our 76th exhibition year\nby presenting some of the younger talent in Rockland\, as part of the next\nart generation. Each artist has a unique style and perspective on the world\nthey see today.\nArtists are Nina Berlingeri\, Joel Blenz\, Matt Casanova\, Danielle McDonald\,\nAlice Mizrachi\, and Nate Singer.\nPlease join Rockland Center for the Arts for New Voices: Rockland’s Next\nArt Generation. The exhibit opens with an artist reception on Sunday\, Feb.\n19th\, 2:00pm – 5:00pm. The exhibit will be on view through April 1st\, open\nMondays – Saturdays 11am – 4pm\, (closed Sundays). Free to the Public (masks\nencouraged). Also on view\, Window into Color: Works by Art Gunther in\nGallery One and Art-ifacts: Works by William Rauschenberg in Gallery Two.\nFor more information call (845) 358-0877 or visit\nhttp://www.rocklandartcenter.org.
URL:https://www.hudsonriver.com/hhrt/event/opening-reception-new-voices-rocklands-next-art-generation/
LOCATION:Rockland Center for the Arts\,27 South Greenbush Road\, West Nyack\, NY 10994\, USA
CATEGORIES:Children,Free-Admission,Visual-Art
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230219T140000
DTEND;TZID=America/New_York:20230401T160000
DTSTAMP:20260404T085212
CREATED:20230215T173347Z
LAST-MODIFIED:20230401T191951Z
UID:10005677-1676815200-1680364800@www.hudsonriver.com
SUMMARY:Window of Color - Works by Arthur Gunther
DESCRIPTION:Window of Color\, Works by Art Gunther is on view Feb 19 – April 1\, open\nMondays – Saturdays\, 11am – 4pm. The opening reception will be Sunday\, Feb.\n19th\, 2pm – 5pm.\nFor 25 years\, 1981-2006\, Gunther penned The Column Rule\, a newspaper\nopinion piece at The Journal News in Rockland County\, New York.\nGunther’s primitive-style paintings are inspired by the light and space of\nEdward Hopper and Rockland County. His work is a comment on places and\nthings – in Rockland and beyond.
URL:https://www.hudsonriver.com/hhrt/event/window-of-color-works-by-arthur-gunther/
LOCATION:Rockland Center for the Arts\,27 S Greenbush Rd\, West Nyack\, NY\,
CATEGORIES:Free-Admission,Visual-Art
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230219T150000
DTEND;TZID=America/New_York:20230219T163000
DTSTAMP:20260404T085212
CREATED:20230209T174955Z
LAST-MODIFIED:20230219T183344Z
UID:10005347-1676818800-1676824200@www.hudsonriver.com
SUMMARY:Jazz in the Afternoon
DESCRIPTION:Christ Church San Marcos relaunches its live music program with a benefit concert on February 19. Concert features Lynn Viggiano on piano and Ken Matthews on bass. All donations and sales proceeds support the continuing music series.\nThis is the church where Washington Irving was a vestryman\, warden\, Sunday School teacher\, and regular parishioner until his death in 1859. His pew is still marked with a brass tablet.
URL:https://www.hudsonriver.com/hhrt/event/jazz-in-the-afternoon/
LOCATION:Christ Church San Marcos\, 43 South Broadway\, Tarrytown\, NY\, 10591\, United States
CATEGORIES:Performing Arts
ATTACH;FMTTYPE=image/jpeg:https://www.hudsonriver.com/hhrt/wp-content/uploads/2023/02/jazz-concert-81Vqlf.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230219T183000
DTEND;TZID=America/New_York:20230219T193000
DTSTAMP:20260404T085212
CREATED:20230120T165003Z
LAST-MODIFIED:20230219T183344Z
UID:10004947-1676831400-1676835000@www.hudsonriver.com
SUMMARY:The Spectre Bridegroom and Other Valentine's Ghost Stories by Peter Royston
DESCRIPTION:Love conquers all – even Death! This Valentine’s Day\, gather up your loved ones (or just come yourself!) and head to the Tarrytown Music Hall to meet THE SPECTRE BRIDEGROOM AND OTHER VALENTINE’S GHOST STORIES. This lushly eerie event tells two romantic ghost stories adapted for the stage by Peter Royston.\nThe Spectre Bridegroom\, based on a story by Washington Irving\, the creator of Rip Van Winkle and The Headless Horseman\, is a fun and passionate tale of love at first – and last – sight! On her wedding day\, a young woman meets her betrothed\, only to find that he may have other\, ghostly\, plans!\nIn the other tale\, Death Rides Fast\, another young woman rides through the night on a magical horse with a man who may\, or may not\, be her long lost husband!\nIn THE SPECTRE BRIDEGROOM AND OTHER VALENTINE’S GHOST STORIES\, the audience moves with the action of the stories throughout the beautiful\, historic Music Hall!\nPlease join your Ghost Hosts at the Tarrytown Music Hall for THE SPECTRE BRIDEGROOM AND OTHER VALENTINE’S GHOST STORIES! It’s a 45 minute romantic\, exciting and spooky event for Valentine’s Day – a perfectly delightful way to celebrate love\, passion and thrills!\nTickets:\n$25 Adults\nSpecial Valentines Day Event pricing: $30 *\n*Additional $10 long-stem rose available for pre-sale purchase\nThe Box Office will not be open for these performances\, please have your digital tickets available\nPlease arrive 15 minutes before scheduled tour time – No late entry will be permitted\nThe 45-minute tour kicks off in the theater lobby and does include climbing stairs and extended periods of standing.\nMaximum 60 patrons per event.
URL:https://www.hudsonriver.com/hhrt/event/the-spectre-bridegroom-and-other-valentines-ghost-stories-by-peter-royston-9/
LOCATION:Tarrytown Music Hall\, 13 Main Street\, Tarrytown\, NY\, 10591\, United States
CATEGORIES:Performing Arts
ATTACH;FMTTYPE=image/jpeg:https://www.hudsonriver.com/hhrt/wp-content/uploads/2023/01/SpectreBridegroom23fb-aSoIQy.tmp_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230220T090000
DTEND;TZID=America/New_York:20230220T200000
DTSTAMP:20260404T085212
CREATED:20230220T174857Z
LAST-MODIFIED:20230220T174859Z
UID:10005406-1676883600-1676923200@www.hudsonriver.com
SUMMARY:The Enchanted Garden: Colors in Motion - Sculptures by Dorothy Gillespie
DESCRIPTION:The Enchanted Garden: Colors in Motion\nSculptures by Dorothy M. Gillespie\nThe Catherine Konner Sculpture Park\nOct. 15\, 2021 – Oct. 2023\nFree to the Public\, Dawn to Dusk\nRoCA is proud to present the The Enchanted Garden: Colors in Motion exhibit as a part of a tribute to the 20th Century artist and feminist\, Dorothy Gillespie. The exhibit will open October 15th in The Catherine Konner Sculpture Park at RoCA.\nDorothy Gillespie’s joyful and brilliantly colored starbursts glimmer hanging from the trees as well as lining the pathway. The pieces create an enchanted garden of colors in motion. Though stationary they seem to possess a kinetic quality. Two larger pieces can be seen at the entry to RoCA. The exhibit was partially installed this summer and will be completed for exhibit October 15th. The exhibit will remain on display through October 2023.\nGillespie (1920-2012) was born in Roanoke\, VA and lived in Nyack during the later years of her life. She pioneered joyful\, new directions of metal sculpture and is best known for large-scale\, colorfully painted arrangements of cut aluminum strips curling\, radiating\, or undulating in giant arrangements of ribbons\, enchanted towers\, or bursting fireworks. She was well known as a painter\, sculptor and installation artist whose work incorporated many significant 20th-century trends in art.\nDuring Dorothy Gillespie’s youth … “girls did not attend art school\, at least not ‘nice’ girls\,” said Gillespie in 2010. Nevertheless\, she was determined to be an artist and attended the Maryland Institute College in Baltimore. She was more fortunate than women sculptors in the 19th Century who were mostly hired as studio assistants by established male sculptors with few exhibitions. Harriet Hosmer\, Emma Stebbins\, Edmonia Lewis\, Frances Grimes and Helen Mears were some of the few who made names in the arts as women during that time. They did not pursue monumental work as frequently as men did and mostly produced works in bronze and consistent middle-class demand for small-scale sculpture to decorate the home and garden. Today many more women are now entering traditional male dominated sculpture roles in metal\, wood and stone\, thanks to the pioneering activism of women like Dorothy Gillespie in the 20th century.\nAn influential force in the women’s movement\, Gillespie encouraged more women’s art in museums and art in public spaces. In 1970\, Gillespie joined Women in the Arts and created picket signs protesting at the Whitney Museum demanding that the curators choose more women artists for their “Annual exhibition. The demonstration worked\, and more women artists were chosen for the show. Although the increase was very slow\, over time it increased from 8 percent to 40 percent. Gillespie was the Founder of the Women Artists Historical Archives of the Women’s Interart Center in NY\, NY\, filming and taping interviews of some of the most important women artists of the 20th century as well as presenting her own radio show. Gillespie along with Joyce Weinstein founded a group called the NY Professional Women Artists. The 14 members lectures at Universities and wrote articles to encourage other women artists.\nGillespie also coordinated a course to educate and enlighten women in the visual arts\, after being invited to teach at The New School in NYC. The intent was to prepare women for a new\, more aggressive role to function in the art world. Due to her already busy schedule\, she asked artist Alice Barber to share the task of revealing to the young students the ‘system’ that drove the NY art world and how to succeed. In 1974 she organized an innovative outdoor exhibition\, Walk Through Art\, mounted in Central Park\, Battery Park\, and Rockefeller Center\, then travelling to fifty colleges\, universities and street fairs. Compelled to involve viewers in her work\, she created large 7 ft high triangles of art for people to walk through the sculptures. Gillespie has held positions of designing programs as a Professor of Art\, being a Board of Trustees for more than one college or art center\, as a visiting artist in residency and as the Chairperson of the Fine Arts Committee for the International Women’s Art Festival.\nDorothy Gillespie’s career spanned seven decades\, always at the forefront of the American Art movement. She studied at the Maryland Institute College in Baltimore before moving to New York City\, where she studied at the Art Students League. Her works grace many institutions\, museums\, colleges\, universities and public spaces\, including the permanent collection of the Solomon R. Guggenheim Museum and the United States Mission to the United Nations. She was one of the first artists to offer her art to the world through displays in the lobbies of public institutions and governmental centers such as the Mayo Clinic\, Epcot Center\, Warren Wilson College\, Fort Lauderdale Airport-Delta Terminal\, Fort Lauderdale Museum of Art\, the Miami Public Library\, United States Mission to the United Nations\, and the Court House Square – Roanoke\, VA and Universities across the country.\nAmong her many honors\, Gillespie received the Alice Baber Art Fund\, Inc. Grant Award: a Doctor of Pedagogy from Niagara University in Niagara Falls\, A Doctor of Fine Arts (Honoris Causa) from Caldwell College in Caldwell\, NY\, an Allied Professions Award from the Virginia Society\, the American Institute of Architects in Richmond\, VA.\, the Distinguished Alumni Award from Maryland Institute College of Art in Baltimore\, the Outstanding Services Award from University of Arkansas at Little Rock\, and the Lifetime Achievement Award from the Women’s Caucus for Art\, and the Gala 8 “Distinguished Woman” Award at Birmingham Southern College.\nThe Catherine Konner Sculpture Park is open from dawn to dusk\, free to the public. Brochures can be picked up at the registration desk. For more information visit: www.rocklandartcenter.org or call 845-358-0877.\nThis exhibition was made possible thanks to the generous support of The Dorothy M. Gillespie Foundation and Gary Israel.\nRoCA’s programs are made possible\, in part\, with funds from the New York State Council on the Arts\, with the support of Governor Andrew Cuomo and the New York State Legislature. Funding is also made possible by the County of Rockland.\nRoCA gratefully acknowledges support for its programs from The Richard Pousette-Dart Foundation\, M&T Bank\, The M&T Charitable Foundation\, The Dorothy Gillespie Foundation\, Peter & Rebecca Lang\, Kantrowitz\, Goldhamer & Graifman P.C.\, Luxury Kitchen and Bath\, Golden Artist Colors\, Inc.\, QuietEvents\, the Estate of Joan Konner\, Lighting Services Inc.\, Sarah and Stephen Thomas\, the Mark and Jessie Milano Foundation\, Zaklin Family Charitable Fund\, The County of Rockland\, Simona and Jerome Chazen\, Art Services Group\, RoCA members\, donors and business members.
URL:https://www.hudsonriver.com/hhrt/event/the-enchanted-garden-colors-in-motion-sculptures-by-dorothy-gillespie-118/
LOCATION:Rockland Center for the Arts\,27 South Greenbush Road\, West Nyack\, NY 10994\, USA
CATEGORIES:Art,Outdoors
ATTACH;FMTTYPE=image/jpeg:https://www.hudsonriver.com/hhrt/wp-content/uploads/2022/10/dorothy-gillespie-roca-2021-4QEgWF.tmp_.jpg
ORGANIZER;CN="Rockland Center for the Arts":MAILTO:info@rocklandartcenter.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230220T110000
DTEND;TZID=America/New_York:20230402T160000
DTSTAMP:20260404T085212
CREATED:20230215T173348Z
LAST-MODIFIED:20230402T191934Z
UID:10005634-1676890800-1680451200@www.hudsonriver.com
SUMMARY:New Voices:  Rockland’s Next Art Generation
DESCRIPTION:New Voices: Rockland’s Next Art Generation\nFebruary 19 – April 1\, 2023\nOpening Reception: Sunday\, February 19\, 2pm – 5pm\nFree to the Public\nPlease join Rockland Center for the Arts for New Voices: Rockland’s Next Art Generation\, opening Sunday\, February 19th from 2-5pm.  During RoCA’s 75th Anniversary\, in 2022\, it presented Rockland’s Women of South Mountain Road.  These women had achieved national and international notoriety in their various fields.  We are excited to start off our 76th exhibition year by presenting some of the younger talent in Rockland\, as part of the next art generation.  Artists are Nina Berlingeri\, Joel Blenz\, Matt Casanova\, Danielle McDonald\, Alice Mizrachi\, and Nate Singer.\nNina Berlingeri has solidly planted roots in Rockland’s art scene through a 2014 artist residency at the Arts Students League of New York’s Vaclav Vytlacil studios.  She was then awarded the first Edward Hopper House Fellow of Creative Community Outreach for a 2018 artist residency.  Further developing her public youth arts programs\, “The Nighthawks” connecting local high school students with artworks\, and artists with ways to develop and refine their own creative practice.  Berlingeri was awarded the Emeritus Award for Historic Site Stewardship from the National Trust for Historic Preservation in 2018 on behalf of the museum.  Berlingeri’s bold figurative work mirrors her life and the ongoing resonance between her experiences and environment. The deconstruction\, distortion\, and reinstitution of the figure is regularly evolved through creating a series of multiples- each derived directly from the previous.  This enables the distortion of the form to remain malleable and retain its immediacy.  Her current work has maintained the focus of the figure\, most recently through the lens of reflective self-portraits.\nJoel Blenz’s abstract\, mixed media artworks play with perception.  His work is an examination of the subcultural and natural decayed outdoor surfaces\, recreating beautiful textured and blended surfaces into his paintings.  He retains the grime\, grit\, and detritus of a street aesthetic through his manipulation of surfaces.  A studio practice has allowed for an exploration of an endless amount of layering and drying time in his painting process.  Each piece provides an interactive experience for the viewer.  When walking back and forth in front of the work\, colors shift and fade creating an illusion that confounds the viewer.  He is intrigued with the power of messages in public spaces and how advertising has an impact on our psyche.  He consciously makes an effort to create more positivity in this visual landscape by focusing his public art on uplifting and positive messages for the community.  His current work is an ongoing exploration of the ambiguous space that graffiti now occupies as both an outsider art form and a legitimate player in the contemporary world.  Blenz’s current work has been featured in exhibitions for Pop Up MoMA\, New York\, Gallery Guichard in Chicago\, IL\, Scope Art Fair and Graffiti Gardens in Miami FL during Art Basel.\nMatt Casanovas’ main focus is on the narrative – collecting from folklore\, sentimental memories\, and present day stories to create a timelessness through unbounded mediums in painting and printmaking.  He pulls the emphatic expressions of both body and sentiment from vintage film promotions as well as stories\, and applies them to a contemporary vantage point using materials and techniques of the old masters.  Casanovas has exhibited his work at the Garnerville Art Center\, Garnerville\, NY\, Sullivan Galleries\, Chicago\, IL and Siragusa Gallery\, Chicago\, IL\nDanielle McDonald uses a process of illustration\, a system of collecting\, deconstructing and reassembling images or fragments of moments preserved and composed in the mind.  These images are concrete\, symbolic and abstracts parts of life.  She plays with scale and perspective to visually imagine the way we prioritize and compose moments in the mind.  Parts of stories and images are weaved together\, consciously and subconsciously\, helping us to make sense of relating and connecting to others.  McDonald is a public school teacher and community worker.  She has collaborated with schools\, shelters\, cultural institutions\, universities\, facilities for incarcerated teens\, Groundswell and designed mural walls throughout Philadelphia and New York City\, designed sets for Opera Delaware and small independent films.\nAlice Mizrachi is a mixed media muralist\, fine artist\, educator\, and curator.  Grounded in deep compassion for the human experience across borders\, Mizrachi explores both the spiritual and physical dimensions of being human\, and in particular\, female.  Mizrachi’s intentions include the empowerment of self and others through artistic expression\, as well as advocacy for women\, youth\, and the environment.  Family\, community\, and tribe are also recurring themes and are approached as active spaces of shared engagement through her mural making.  Her studio practice has developed into a testing ground for explorations in assemblage\, sculpture\, and installation that has transformed both her painting practice and her work as a muralist.  Her spontaneous approach to line\, and the deconstruction and reconstruction of figurative elements in her assemblage and ceramic sculpture\, reveal a human hand in the making of her work\, an intentional maneuver in an increasingly technological age.  Mizrachi’s work has been featured in the Museum of the City of New York\, the National Museum of Women in the Arts and Albright-Knox Museum.\nNate Singer is a mixed media artists working in ink\, paint\, sculpture and film.  His interest in organic matter led to an intimate understanding of the underlying systems of embedded geometrics within organic matter. At once energetic and poised\, Singer’s abstract paintings and ink drawings use saturated\,  hard-edged shaped and intuitive calligraphic marks to create compositions that resemble organic growth while reveling in technical orchestration.  He has exhibited at Garnerville Art Center\, Saratoga Arts Center\, and Union College with an art residency at Salem Art Works.  He has been awarded a Hilda A. Colish Sculpture Award and a NY6 Think Tank Grant.\nPlease join Rockland Center for the Arts for New Voices: Rockland’s Next Art Generation.  The exhibit opens with an artist reception on Sunday\, Feb. 19th\, 2:00pm – 5:00pm.  The exhibit will be on view through April 1st\, open Mondays – Saturdays 11am – 4pm\, (closed Sundays).  Free to the Public (masks encouraged).  Also on view in Gallery One\, Window into Color: Works by Art Gunther\, works inspired by the light of the Edward Hopper House Museum and Study Center and by the realist painter himself.  Art-ifacts: Works by William Rauschenberg on view in Gallery Two.  Rauschenberg uses the lost art of sand casting to create three dimensional puzzle like pieces.  For more information call (845) 358-0877 or visit www.rocklandartcenter.org.\n RoCA gratefully acknowledges support for its programs from The Rea Charitable Trust\, ArtsWestchester\, Sarah and Stephen Thomas\, The Richard Pousette-Dart Foundation\, M&T Bank\, The M&T Charitable Foundation\, The Dorothy Gillespie Foundation\, Walter Cain & Paulo Ribeiro\, Kantrowitz\, Goldhamer & Graifman P.C.\, QuietEvents\, the Estate of Joan Konner\, Lighting Services Inc.\,\, the Mark and Jessie Milano Foundation\, Zaklin Family Charitable Fund\, The County of Rockland\, Art Services Group\, RoCA members\, donors and business members.\nRoCA’s programs are made possible\, in part\, with funds from the New York State Council on the Arts\, with the support of Governor Kathy Hochul and the New York State Legislature. Funding is also made possible by the County of Rockland.\n \n \n \n \n \n 
URL:https://www.hudsonriver.com/hhrt/event/new-voices-rocklands-next-art-generation-2/
LOCATION:Rockland Center for the Arts\, 27 South Greenbush Road\, West Nyack\, 10994
CATEGORIES:Art,Family-Friendly,Free-Admission,Visual-Art
ATTACH;FMTTYPE=image/jpeg:https://www.hudsonriver.com/hhrt/wp-content/uploads/2023/02/New-Voices-postcard-1.5-mb-scaled-XAcke7.tmp_.jpg
ORGANIZER;CN="Rockland Center for the Arts":MAILTO:info@rocklandartcenter.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230221T090000
DTEND;TZID=America/New_York:20230221T200000
DTSTAMP:20260404T085212
CREATED:20230221T174958Z
LAST-MODIFIED:20230221T174959Z
UID:10005408-1676970000-1677009600@www.hudsonriver.com
SUMMARY:The Enchanted Garden: Colors in Motion - Sculptures by Dorothy Gillespie
DESCRIPTION:The Enchanted Garden: Colors in Motion\nSculptures by Dorothy M. Gillespie\nThe Catherine Konner Sculpture Park\nOct. 15\, 2021 – Oct. 2023\nFree to the Public\, Dawn to Dusk\nRoCA is proud to present the The Enchanted Garden: Colors in Motion exhibit as a part of a tribute to the 20th Century artist and feminist\, Dorothy Gillespie. The exhibit will open October 15th in The Catherine Konner Sculpture Park at RoCA.\nDorothy Gillespie’s joyful and brilliantly colored starbursts glimmer hanging from the trees as well as lining the pathway. The pieces create an enchanted garden of colors in motion. Though stationary they seem to possess a kinetic quality. Two larger pieces can be seen at the entry to RoCA. The exhibit was partially installed this summer and will be completed for exhibit October 15th. The exhibit will remain on display through October 2023.\nGillespie (1920-2012) was born in Roanoke\, VA and lived in Nyack during the later years of her life. She pioneered joyful\, new directions of metal sculpture and is best known for large-scale\, colorfully painted arrangements of cut aluminum strips curling\, radiating\, or undulating in giant arrangements of ribbons\, enchanted towers\, or bursting fireworks. She was well known as a painter\, sculptor and installation artist whose work incorporated many significant 20th-century trends in art.\nDuring Dorothy Gillespie’s youth … “girls did not attend art school\, at least not ‘nice’ girls\,” said Gillespie in 2010. Nevertheless\, she was determined to be an artist and attended the Maryland Institute College in Baltimore. She was more fortunate than women sculptors in the 19th Century who were mostly hired as studio assistants by established male sculptors with few exhibitions. Harriet Hosmer\, Emma Stebbins\, Edmonia Lewis\, Frances Grimes and Helen Mears were some of the few who made names in the arts as women during that time. They did not pursue monumental work as frequently as men did and mostly produced works in bronze and consistent middle-class demand for small-scale sculpture to decorate the home and garden. Today many more women are now entering traditional male dominated sculpture roles in metal\, wood and stone\, thanks to the pioneering activism of women like Dorothy Gillespie in the 20th century.\nAn influential force in the women’s movement\, Gillespie encouraged more women’s art in museums and art in public spaces. In 1970\, Gillespie joined Women in the Arts and created picket signs protesting at the Whitney Museum demanding that the curators choose more women artists for their “Annual exhibition. The demonstration worked\, and more women artists were chosen for the show. Although the increase was very slow\, over time it increased from 8 percent to 40 percent. Gillespie was the Founder of the Women Artists Historical Archives of the Women’s Interart Center in NY\, NY\, filming and taping interviews of some of the most important women artists of the 20th century as well as presenting her own radio show. Gillespie along with Joyce Weinstein founded a group called the NY Professional Women Artists. The 14 members lectures at Universities and wrote articles to encourage other women artists.\nGillespie also coordinated a course to educate and enlighten women in the visual arts\, after being invited to teach at The New School in NYC. The intent was to prepare women for a new\, more aggressive role to function in the art world. Due to her already busy schedule\, she asked artist Alice Barber to share the task of revealing to the young students the ‘system’ that drove the NY art world and how to succeed. In 1974 she organized an innovative outdoor exhibition\, Walk Through Art\, mounted in Central Park\, Battery Park\, and Rockefeller Center\, then travelling to fifty colleges\, universities and street fairs. Compelled to involve viewers in her work\, she created large 7 ft high triangles of art for people to walk through the sculptures. Gillespie has held positions of designing programs as a Professor of Art\, being a Board of Trustees for more than one college or art center\, as a visiting artist in residency and as the Chairperson of the Fine Arts Committee for the International Women’s Art Festival.\nDorothy Gillespie’s career spanned seven decades\, always at the forefront of the American Art movement. She studied at the Maryland Institute College in Baltimore before moving to New York City\, where she studied at the Art Students League. Her works grace many institutions\, museums\, colleges\, universities and public spaces\, including the permanent collection of the Solomon R. Guggenheim Museum and the United States Mission to the United Nations. She was one of the first artists to offer her art to the world through displays in the lobbies of public institutions and governmental centers such as the Mayo Clinic\, Epcot Center\, Warren Wilson College\, Fort Lauderdale Airport-Delta Terminal\, Fort Lauderdale Museum of Art\, the Miami Public Library\, United States Mission to the United Nations\, and the Court House Square – Roanoke\, VA and Universities across the country.\nAmong her many honors\, Gillespie received the Alice Baber Art Fund\, Inc. Grant Award: a Doctor of Pedagogy from Niagara University in Niagara Falls\, A Doctor of Fine Arts (Honoris Causa) from Caldwell College in Caldwell\, NY\, an Allied Professions Award from the Virginia Society\, the American Institute of Architects in Richmond\, VA.\, the Distinguished Alumni Award from Maryland Institute College of Art in Baltimore\, the Outstanding Services Award from University of Arkansas at Little Rock\, and the Lifetime Achievement Award from the Women’s Caucus for Art\, and the Gala 8 “Distinguished Woman” Award at Birmingham Southern College.\nThe Catherine Konner Sculpture Park is open from dawn to dusk\, free to the public. Brochures can be picked up at the registration desk. For more information visit: www.rocklandartcenter.org or call 845-358-0877.\nThis exhibition was made possible thanks to the generous support of The Dorothy M. Gillespie Foundation and Gary Israel.\nRoCA’s programs are made possible\, in part\, with funds from the New York State Council on the Arts\, with the support of Governor Andrew Cuomo and the New York State Legislature. Funding is also made possible by the County of Rockland.\nRoCA gratefully acknowledges support for its programs from The Richard Pousette-Dart Foundation\, M&T Bank\, The M&T Charitable Foundation\, The Dorothy Gillespie Foundation\, Peter & Rebecca Lang\, Kantrowitz\, Goldhamer & Graifman P.C.\, Luxury Kitchen and Bath\, Golden Artist Colors\, Inc.\, QuietEvents\, the Estate of Joan Konner\, Lighting Services Inc.\, Sarah and Stephen Thomas\, the Mark and Jessie Milano Foundation\, Zaklin Family Charitable Fund\, The County of Rockland\, Simona and Jerome Chazen\, Art Services Group\, RoCA members\, donors and business members.
URL:https://www.hudsonriver.com/hhrt/event/the-enchanted-garden-colors-in-motion-sculptures-by-dorothy-gillespie-119/
LOCATION:Rockland Center for the Arts\,27 South Greenbush Road\, West Nyack\, NY 10994\, USA
CATEGORIES:Art,Outdoors
ATTACH;FMTTYPE=image/jpeg:https://www.hudsonriver.com/hhrt/wp-content/uploads/2022/10/dorothy-gillespie-roca-2021-4QEgWF.tmp_.jpg
ORGANIZER;CN="Rockland Center for the Arts":MAILTO:info@rocklandartcenter.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230221T100000
DTEND;TZID=America/New_York:20230221T110000
DTSTAMP:20260404T085212
CREATED:20230103T145812Z
LAST-MODIFIED:20230103T145812Z
UID:10004891-1676973600-1676977200@www.hudsonriver.com
SUMMARY:Post-Impressionism In Its Own Right: Online Class
DESCRIPTION:Join Jill Kiefer\, Ph.D. as she leads her Online Course series for BAC entitled: “Post-Impressionism In Its Own Right” for 6 Tuesdays\, 02/21-03/28\, 2023 from 10 – 11 AM. \nDiscussions of Post-Impressionism are often limited to its relationship with Impressionism. But this diverse and distinctive movement stands very much on its own—having traveled quite different paths than those explored by the Impressionists. Indeed\, Post-Impressionism embraced the past\, the present\, and the future—and its influence remains a force today. \nIn this program\, we’ll focus on the key Post-Impressionists (Seurat\, Cézanne\, Van Gogh and Gauguin) to examine their unique achievements. Which ones most avidly pursued symbolic and subjective meanings in their art? How and why did structure\, optics and order become the obsession of others? In what ways did their combined efforts and aesthetic visions define what would become the modern idiom? Join us as we seek the answers to these questions\, and identify how Post-Impressionism fits into the broad tapestry that is art history.
URL:https://www.hudsonriver.com/hhrt/event/post-impressionism-in-its-own-right-online-class/2023-02-21/
LOCATION:Bethany Arts Community\, 40 Somerstown Rd\, Ossining\, NY\, 10562\, United States
CATEGORIES:Art,Educational,History,Visual Arts,Visual-Art,Workshop
ATTACH;FMTTYPE=image/jpeg:https://www.hudsonriver.com/hhrt/wp-content/uploads/2023/01/1-Seurat.jpg
ORGANIZER;CN="Bethany Arts Community":MAILTO:julias@bethanyarts.org
GEO:41.1725708;-73.8304194
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bethany Arts Community 40 Somerstown Rd Ossining NY 10562 United States;X-APPLE-RADIUS=500;X-TITLE=40 Somerstown Rd:geo:-73.8304194,41.1725708
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230221T183000
DTEND;TZID=America/New_York:20230221T183000
DTSTAMP:20260404T085212
CREATED:20230217T173404Z
LAST-MODIFIED:20230221T174959Z
UID:10005395-1677004200-1677004200@www.hudsonriver.com
SUMMARY:Reflections from the Shallow End of the Dating Pool
DESCRIPTION:REFLECTIONS FROM THE SHALLOW END OF THE DATING POOL\n2/21 at 6:30pm\nWhat happens when a woman turns 50 and decides to enter the murky waters of online dating? She finds herself turning to social media to keep her laughing about the ridiculousness of it all\, and discovers a sisterhood in shared experiences. Born out of a desire to find solid ground through humor\, Debbi Hobson’s Reflections from the Shallow End of the Dating Pool shines a light on the farcical experience of midlife dating.\nBlack Parakeetz in Nyack\n298 Main St\, Nyack\, NY 10960
URL:https://www.hudsonriver.com/hhrt/event/reflections-from-the-shallow-end-of-the-dating-pool/
LOCATION:Black Parakeetz Paint\, Swig\, and Sing\, 298 Main Street\, Nyack\, NY\, 10960\, United States
CATEGORIES:Art,enjoy-nyack,Nightlife,Restaurants/Food,Seasonal,Theater,Theater and Film,Winter-Fun
ATTACH;FMTTYPE=image/png:https://www.hudsonriver.com/hhrt/wp-content/uploads/2023/02/Screen-Shot-2023-02-16-at-6.49.24-PM-GST6yw.tmp_.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230222T090000
DTEND;TZID=America/New_York:20230222T200000
DTSTAMP:20260404T085212
CREATED:20230222T175023Z
LAST-MODIFIED:20230222T175024Z
UID:10005457-1677056400-1677096000@www.hudsonriver.com
SUMMARY:The Enchanted Garden: Colors in Motion - Sculptures by Dorothy Gillespie
DESCRIPTION:The Enchanted Garden: Colors in Motion\nSculptures by Dorothy M. Gillespie\nThe Catherine Konner Sculpture Park\nOct. 15\, 2021 – Oct. 2023\nFree to the Public\, Dawn to Dusk\nRoCA is proud to present the The Enchanted Garden: Colors in Motion exhibit as a part of a tribute to the 20th Century artist and feminist\, Dorothy Gillespie. The exhibit will open October 15th in The Catherine Konner Sculpture Park at RoCA.\nDorothy Gillespie’s joyful and brilliantly colored starbursts glimmer hanging from the trees as well as lining the pathway. The pieces create an enchanted garden of colors in motion. Though stationary they seem to possess a kinetic quality. Two larger pieces can be seen at the entry to RoCA. The exhibit was partially installed this summer and will be completed for exhibit October 15th. The exhibit will remain on display through October 2023.\nGillespie (1920-2012) was born in Roanoke\, VA and lived in Nyack during the later years of her life. She pioneered joyful\, new directions of metal sculpture and is best known for large-scale\, colorfully painted arrangements of cut aluminum strips curling\, radiating\, or undulating in giant arrangements of ribbons\, enchanted towers\, or bursting fireworks. She was well known as a painter\, sculptor and installation artist whose work incorporated many significant 20th-century trends in art.\nDuring Dorothy Gillespie’s youth … “girls did not attend art school\, at least not ‘nice’ girls\,” said Gillespie in 2010. Nevertheless\, she was determined to be an artist and attended the Maryland Institute College in Baltimore. She was more fortunate than women sculptors in the 19th Century who were mostly hired as studio assistants by established male sculptors with few exhibitions. Harriet Hosmer\, Emma Stebbins\, Edmonia Lewis\, Frances Grimes and Helen Mears were some of the few who made names in the arts as women during that time. They did not pursue monumental work as frequently as men did and mostly produced works in bronze and consistent middle-class demand for small-scale sculpture to decorate the home and garden. Today many more women are now entering traditional male dominated sculpture roles in metal\, wood and stone\, thanks to the pioneering activism of women like Dorothy Gillespie in the 20th century.\nAn influential force in the women’s movement\, Gillespie encouraged more women’s art in museums and art in public spaces. In 1970\, Gillespie joined Women in the Arts and created picket signs protesting at the Whitney Museum demanding that the curators choose more women artists for their “Annual exhibition. The demonstration worked\, and more women artists were chosen for the show. Although the increase was very slow\, over time it increased from 8 percent to 40 percent. Gillespie was the Founder of the Women Artists Historical Archives of the Women’s Interart Center in NY\, NY\, filming and taping interviews of some of the most important women artists of the 20th century as well as presenting her own radio show. Gillespie along with Joyce Weinstein founded a group called the NY Professional Women Artists. The 14 members lectures at Universities and wrote articles to encourage other women artists.\nGillespie also coordinated a course to educate and enlighten women in the visual arts\, after being invited to teach at The New School in NYC. The intent was to prepare women for a new\, more aggressive role to function in the art world. Due to her already busy schedule\, she asked artist Alice Barber to share the task of revealing to the young students the ‘system’ that drove the NY art world and how to succeed. In 1974 she organized an innovative outdoor exhibition\, Walk Through Art\, mounted in Central Park\, Battery Park\, and Rockefeller Center\, then travelling to fifty colleges\, universities and street fairs. Compelled to involve viewers in her work\, she created large 7 ft high triangles of art for people to walk through the sculptures. Gillespie has held positions of designing programs as a Professor of Art\, being a Board of Trustees for more than one college or art center\, as a visiting artist in residency and as the Chairperson of the Fine Arts Committee for the International Women’s Art Festival.\nDorothy Gillespie’s career spanned seven decades\, always at the forefront of the American Art movement. She studied at the Maryland Institute College in Baltimore before moving to New York City\, where she studied at the Art Students League. Her works grace many institutions\, museums\, colleges\, universities and public spaces\, including the permanent collection of the Solomon R. Guggenheim Museum and the United States Mission to the United Nations. She was one of the first artists to offer her art to the world through displays in the lobbies of public institutions and governmental centers such as the Mayo Clinic\, Epcot Center\, Warren Wilson College\, Fort Lauderdale Airport-Delta Terminal\, Fort Lauderdale Museum of Art\, the Miami Public Library\, United States Mission to the United Nations\, and the Court House Square – Roanoke\, VA and Universities across the country.\nAmong her many honors\, Gillespie received the Alice Baber Art Fund\, Inc. Grant Award: a Doctor of Pedagogy from Niagara University in Niagara Falls\, A Doctor of Fine Arts (Honoris Causa) from Caldwell College in Caldwell\, NY\, an Allied Professions Award from the Virginia Society\, the American Institute of Architects in Richmond\, VA.\, the Distinguished Alumni Award from Maryland Institute College of Art in Baltimore\, the Outstanding Services Award from University of Arkansas at Little Rock\, and the Lifetime Achievement Award from the Women’s Caucus for Art\, and the Gala 8 “Distinguished Woman” Award at Birmingham Southern College.\nThe Catherine Konner Sculpture Park is open from dawn to dusk\, free to the public. Brochures can be picked up at the registration desk. For more information visit: www.rocklandartcenter.org or call 845-358-0877.\nThis exhibition was made possible thanks to the generous support of The Dorothy M. Gillespie Foundation and Gary Israel.\nRoCA’s programs are made possible\, in part\, with funds from the New York State Council on the Arts\, with the support of Governor Andrew Cuomo and the New York State Legislature. Funding is also made possible by the County of Rockland.\nRoCA gratefully acknowledges support for its programs from The Richard Pousette-Dart Foundation\, M&T Bank\, The M&T Charitable Foundation\, The Dorothy Gillespie Foundation\, Peter & Rebecca Lang\, Kantrowitz\, Goldhamer & Graifman P.C.\, Luxury Kitchen and Bath\, Golden Artist Colors\, Inc.\, QuietEvents\, the Estate of Joan Konner\, Lighting Services Inc.\, Sarah and Stephen Thomas\, the Mark and Jessie Milano Foundation\, Zaklin Family Charitable Fund\, The County of Rockland\, Simona and Jerome Chazen\, Art Services Group\, RoCA members\, donors and business members.
URL:https://www.hudsonriver.com/hhrt/event/the-enchanted-garden-colors-in-motion-sculptures-by-dorothy-gillespie-120/
LOCATION:Rockland Center for the Arts\,27 South Greenbush Road\, West Nyack\, NY 10994\, USA
CATEGORIES:Art,Outdoors
ATTACH;FMTTYPE=image/jpeg:https://www.hudsonriver.com/hhrt/wp-content/uploads/2022/10/dorothy-gillespie-roca-2021-4QEgWF.tmp_.jpg
ORGANIZER;CN="Rockland Center for the Arts":MAILTO:info@rocklandartcenter.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230222T190000
DTEND;TZID=America/New_York:20230222T203000
DTSTAMP:20260404T085212
CREATED:20230222T175023Z
LAST-MODIFIED:20230222T175024Z
UID:10005458-1677092400-1677097800@www.hudsonriver.com
SUMMARY:NOSH AND PLAY! - A BI-WEEKLY ADULT "RETREAT"
DESCRIPTION:NOSH AND PLAY! – A BI-WEEKLY ADULT “RETREAT”\nEvery other Wednesday 6:30-8:15pm\n$25 per visit\nA continuation of our “Paint\, Nosh\, Reflection” series.\nThis go around we will have guest facilitators lead a group activity which will be focused from theatre\, the arts\, dance\, or mindfulness.\nThis is an easy to swallow (pun-intended) evening meant to relax\, inspire\, and engage all of your senses.\nSo come join the fun and get out of the week-day brunt and let’s Nosh and Play!!\nEach week a special “nosh” will be featured to “feed the soul” in a very figurative way!\nThis is a safe space to make art\, be yourself\, and heal. Please come with that in mind as we hold space and kindness towards one another in the shared retreat.\nCome for one or all evenings.\n 
URL:https://www.hudsonriver.com/hhrt/event/nosh-and-play-a-bi-weekly-adult-retreat/
LOCATION:Creative Arts Workshop\, 48 Burd St\, Nyack\, NY\, 10960\, United States
CATEGORIES:Art,enjoy-nyack,Fall-Fun,Holiday Fun,inclusion,paintings,Restaurants/Food,Seasonal,Spring Fling,Summer-Fun,Visual-Art,Wellness,Winter-Fun,Workshop
ATTACH;FMTTYPE=image/webp:https://www.hudsonriver.com/hhrt/wp-content/uploads/2023/02/44f2f184-a3de-41f1-9ed0-1b3a534573aa___13080221090-1-scaled-UDvJ3T.tmp_.webp
ORGANIZER;CN="Creative Arts Workshop":MAILTO:jgarreffa@arts-workshop.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230223T090000
DTEND;TZID=America/New_York:20230223T130000
DTSTAMP:20260404T085212
CREATED:20230217T173404Z
LAST-MODIFIED:20230223T175015Z
UID:10005393-1677142800-1677157200@www.hudsonriver.com
SUMMARY:Nyack Farmer's Market
DESCRIPTION:Nyack Farmers Market – A Four Season Outdoor Farmers Market\nThe Market offers a cornucopia of the best local produce\, grass-fed meat\, fresh seafood\, beautiful baked goods\, perfectly prepared foods\, and handcrafted goods ready to fill your tables and gift baskets.\n \nHOURS:\nThursdays from 9am to 1pm\, outdoors year-round in the Main Street parking lot year-round.\n \nPARKING:\nParking in the Artopee Lot is free during Market hours\, and street parking is free before 10am. Meters throughout the Village are in effect Monday-Saturday from 11am to 7pm. Farmers Market vendors and patrons: please do not park in the M&T Bank parking lot.
URL:https://www.hudsonriver.com/hhrt/event/nyack-farmers-market-23/
LOCATION:Main Street Parking Lot\, 119 Main Street\, Nyack\, NY\, 10960\, United States
CATEGORIES:Children,enjoy-nyack,Family-Friendly,Free-Admission,Holiday Fun,Live-Music,Music,Outdoors,Restaurants/Food,Seasonal,Shopping,Winter-Fun,Winter-Wanderland
ATTACH;FMTTYPE=image/jpeg:https://www.hudsonriver.com/hhrt/wp-content/uploads/2022/12/Nyack-Winter-Farmers-Market-photo-by-Caroline-Scimone-2021-scaled-ioUHBA.tmp_.jpg
ORGANIZER;CN="Nyack Chamber of Commerce":MAILTO:info@nyackchamber.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20230223T090000
DTEND;TZID=America/New_York:20230223T200000
DTSTAMP:20260404T085212
CREATED:20230223T175014Z
LAST-MODIFIED:20230223T175015Z
UID:10005462-1677142800-1677182400@www.hudsonriver.com
SUMMARY:The Enchanted Garden: Colors in Motion - Sculptures by Dorothy Gillespie
DESCRIPTION:The Enchanted Garden: Colors in Motion\nSculptures by Dorothy M. Gillespie\nThe Catherine Konner Sculpture Park\nOct. 15\, 2021 – Oct. 2023\nFree to the Public\, Dawn to Dusk\nRoCA is proud to present the The Enchanted Garden: Colors in Motion exhibit as a part of a tribute to the 20th Century artist and feminist\, Dorothy Gillespie. The exhibit will open October 15th in The Catherine Konner Sculpture Park at RoCA.\nDorothy Gillespie’s joyful and brilliantly colored starbursts glimmer hanging from the trees as well as lining the pathway. The pieces create an enchanted garden of colors in motion. Though stationary they seem to possess a kinetic quality. Two larger pieces can be seen at the entry to RoCA. The exhibit was partially installed this summer and will be completed for exhibit October 15th. The exhibit will remain on display through October 2023.\nGillespie (1920-2012) was born in Roanoke\, VA and lived in Nyack during the later years of her life. She pioneered joyful\, new directions of metal sculpture and is best known for large-scale\, colorfully painted arrangements of cut aluminum strips curling\, radiating\, or undulating in giant arrangements of ribbons\, enchanted towers\, or bursting fireworks. She was well known as a painter\, sculptor and installation artist whose work incorporated many significant 20th-century trends in art.\nDuring Dorothy Gillespie’s youth … “girls did not attend art school\, at least not ‘nice’ girls\,” said Gillespie in 2010. Nevertheless\, she was determined to be an artist and attended the Maryland Institute College in Baltimore. She was more fortunate than women sculptors in the 19th Century who were mostly hired as studio assistants by established male sculptors with few exhibitions. Harriet Hosmer\, Emma Stebbins\, Edmonia Lewis\, Frances Grimes and Helen Mears were some of the few who made names in the arts as women during that time. They did not pursue monumental work as frequently as men did and mostly produced works in bronze and consistent middle-class demand for small-scale sculpture to decorate the home and garden. Today many more women are now entering traditional male dominated sculpture roles in metal\, wood and stone\, thanks to the pioneering activism of women like Dorothy Gillespie in the 20th century.\nAn influential force in the women’s movement\, Gillespie encouraged more women’s art in museums and art in public spaces. In 1970\, Gillespie joined Women in the Arts and created picket signs protesting at the Whitney Museum demanding that the curators choose more women artists for their “Annual exhibition. The demonstration worked\, and more women artists were chosen for the show. Although the increase was very slow\, over time it increased from 8 percent to 40 percent. Gillespie was the Founder of the Women Artists Historical Archives of the Women’s Interart Center in NY\, NY\, filming and taping interviews of some of the most important women artists of the 20th century as well as presenting her own radio show. Gillespie along with Joyce Weinstein founded a group called the NY Professional Women Artists. The 14 members lectures at Universities and wrote articles to encourage other women artists.\nGillespie also coordinated a course to educate and enlighten women in the visual arts\, after being invited to teach at The New School in NYC. The intent was to prepare women for a new\, more aggressive role to function in the art world. Due to her already busy schedule\, she asked artist Alice Barber to share the task of revealing to the young students the ‘system’ that drove the NY art world and how to succeed. In 1974 she organized an innovative outdoor exhibition\, Walk Through Art\, mounted in Central Park\, Battery Park\, and Rockefeller Center\, then travelling to fifty colleges\, universities and street fairs. Compelled to involve viewers in her work\, she created large 7 ft high triangles of art for people to walk through the sculptures. Gillespie has held positions of designing programs as a Professor of Art\, being a Board of Trustees for more than one college or art center\, as a visiting artist in residency and as the Chairperson of the Fine Arts Committee for the International Women’s Art Festival.\nDorothy Gillespie’s career spanned seven decades\, always at the forefront of the American Art movement. She studied at the Maryland Institute College in Baltimore before moving to New York City\, where she studied at the Art Students League. Her works grace many institutions\, museums\, colleges\, universities and public spaces\, including the permanent collection of the Solomon R. Guggenheim Museum and the United States Mission to the United Nations. She was one of the first artists to offer her art to the world through displays in the lobbies of public institutions and governmental centers such as the Mayo Clinic\, Epcot Center\, Warren Wilson College\, Fort Lauderdale Airport-Delta Terminal\, Fort Lauderdale Museum of Art\, the Miami Public Library\, United States Mission to the United Nations\, and the Court House Square – Roanoke\, VA and Universities across the country.\nAmong her many honors\, Gillespie received the Alice Baber Art Fund\, Inc. Grant Award: a Doctor of Pedagogy from Niagara University in Niagara Falls\, A Doctor of Fine Arts (Honoris Causa) from Caldwell College in Caldwell\, NY\, an Allied Professions Award from the Virginia Society\, the American Institute of Architects in Richmond\, VA.\, the Distinguished Alumni Award from Maryland Institute College of Art in Baltimore\, the Outstanding Services Award from University of Arkansas at Little Rock\, and the Lifetime Achievement Award from the Women’s Caucus for Art\, and the Gala 8 “Distinguished Woman” Award at Birmingham Southern College.\nThe Catherine Konner Sculpture Park is open from dawn to dusk\, free to the public. Brochures can be picked up at the registration desk. For more information visit: www.rocklandartcenter.org or call 845-358-0877.\nThis exhibition was made possible thanks to the generous support of The Dorothy M. Gillespie Foundation and Gary Israel.\nRoCA’s programs are made possible\, in part\, with funds from the New York State Council on the Arts\, with the support of Governor Andrew Cuomo and the New York State Legislature. Funding is also made possible by the County of Rockland.\nRoCA gratefully acknowledges support for its programs from The Richard Pousette-Dart Foundation\, M&T Bank\, The M&T Charitable Foundation\, The Dorothy Gillespie Foundation\, Peter & Rebecca Lang\, Kantrowitz\, Goldhamer & Graifman P.C.\, Luxury Kitchen and Bath\, Golden Artist Colors\, Inc.\, QuietEvents\, the Estate of Joan Konner\, Lighting Services Inc.\, Sarah and Stephen Thomas\, the Mark and Jessie Milano Foundation\, Zaklin Family Charitable Fund\, The County of Rockland\, Simona and Jerome Chazen\, Art Services Group\, RoCA members\, donors and business members.
URL:https://www.hudsonriver.com/hhrt/event/the-enchanted-garden-colors-in-motion-sculptures-by-dorothy-gillespie-121/
LOCATION:Rockland Center for the Arts\,27 South Greenbush Road\, West Nyack\, NY 10994\, USA
CATEGORIES:Art,Outdoors
ATTACH;FMTTYPE=image/jpeg:https://www.hudsonriver.com/hhrt/wp-content/uploads/2022/10/dorothy-gillespie-roca-2021-4QEgWF.tmp_.jpg
ORGANIZER;CN="Rockland Center for the Arts":MAILTO:info@rocklandartcenter.org
END:VEVENT
END:VCALENDAR